MANY photographers habitually use layers from everything. I don’t! In fact, I try to minimise my time spent on post-processing shots for stock library sale, and work very quickly. If it needs complex setup or demands working using layers to be able to go back and change things, I’ve probably already wasted too much time. Here’s an example of an Alpha 700 shot created from two slightly different versions, and how it was done.
Tag: Sony
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Which Sony Alpha kit lens?
This article was originally published in Photoworld magazine April 2008. It discusses the reasons for choosing between the 18-70mm, 16-105mm, 16-80mm, 18-200mm and 18-250mm kit lens choices for the Sony Alpha DSLR system and has been updated as necessary from the original text.
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Sony unveils ‘ACE’ dealers in UK
What we thought would be the ‘Alpha Pro’ project – display centres for the entire system sited at key retail outlets through Britain – turned out to be the ‘ACE’ project. That is, Sony Alpha Centres of Excellence. London Camera Exchange Colchester, one of the selected dealers, supplied these shots of the new showcase.
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Field Guide for Alpha 700
Alan Hess is the author of a new field guide to using the Sony Alpha 700, published by Wileys, with 281 pages and the usual contents covering basic photographic techniques as well as the camera’s operation.
The cost of the guide is 16 Euros by mail order from Research & Markets of Dublin website; the title is ‘Sony Alpha DSLR A700 Digital Field Guide‘.
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Zeiss announce 18mm f3.5 – not for Alpha
The parallel development of Carl Zeiss lenses for Sony (AF lenses in the Alpha mount) and independent manual focus lenses for other makes continues. The latest CZ design is a revision of the classic 18mm Distagon last seen in the Contax system, optimised for colour balance and reflection supression with digital SLRs.
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A flash ‘revolution’ – the Sony HVL-F58AM
Sony has announced the September introduction of the most powerful flash yet for the Alpha system, the Sony HVL-F58AM which incorporates a brand new body design allowing optimum bounce flash illumination regardless of how you hold the camera.
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Megapixels and perceived detail
Increases in pixel count are often dismissed because to ‘double’ the resolution of a 6 megapixel sensor you would need 24 megapixels. Indeed, to double it linearly you would – but the human eye judges density of detail on an area basis.
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Sony Alpha 350 – a Creative Review
The introduction of a £399 (street price, RRP £449) DSLR with 14.2 megapixels – with or without a useful type of Live View – should have been applauded by reviewers. It’s the single most important point about the camera. No other DSLR approaches this image size and resolution at such a low price. (more…)
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The 70-300mm G SSM sized up
Today I took delivery of a Sony 70-300mm f/4.5-5.6 G SSM lens. There is no doubt this is the best built Sony SAL lens I’ve handled (the CZ 135mm 1.8, 85mm f1.4 are a class above again). It weighs over 800g with its lens-hood, which is one of the most efficient deep tele hoods I’ve seen. (more…)
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Which Sony Alpha?
Now that there are five Sony Alpha DSLR bodies in circulation, with many owners of the original 2006 Alpha 100 considering a replacement, the differences between this ur-Alpha and the 2007-8 generation of Alpha 700, 200, 300 and 350 need examining. (more…)