Nikon has announced a May 1st launch for a competitor to the Canon EOS 500D, in their D5000. This camera has the first articulated screen (only 230,000 pixels) to be designed by Nikon. See:
http://www.cameracraft.online/2009/04/14/nikon-d5000-live-view-hdv-articulated-screen/
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Tag: Nikon
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Nikon D5000 – HDvid, articulated screen
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Tamron 10-24mm f/3.5-4.5
Tamron’s new ultra wide angle zoom for APS-C/DX is getting a bit of a blasting from reviewers. Now, when I see this happen, I get curious. Lens testing is often badly designed for such zooms, involving test chart targets at distances which are extremely close and result in very bad figures caused mainly by a strong curvature of field (dished, ‘cap’ shape relative to the camera) when gets worse in effect the closer you focus.
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Nikon buck price trend with £199 35mm f/1.8
Nikon fans may be surprised that a 35mm f/1.8 has been launched at just £199, when prices are spiralling upwards in the UK. What a perfect lens for the D3, D700 or D3X! But wait – read the small print! Or, read the press release very carefully indeed.
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Canon EOS 5D MkII, Nikon D3X, and Sony Alpha 900 compared
This set of full size shots was taken with the still life left set up, because the Nikon and Canon cameras were not here at the same time. The report originally appeared in December 2008 on photoclubalpha. It compares the A900, 5DMkII and D3X using the converters supplied by the makers – Image Data Converter SR2, Digital Photo Professional, and Capture NX2. Each small image in the article can be clicked to open a Level 10 quality full size JPEG – beware, the largest is over 13MB of data.
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Sony Alpha 900 and Nikon D3X raw file noise comparison
Like Mike Johnston writing in The On-Line Photographer, I’m aware that any attempt to line up one or more cameras and show comparison images or make judgements is on to a loser from the start. And any webmaster who puts an external link in the first half dozen words of a new post is losing the plot too! But here, for what it’s worth, is the first line-up of results processed using the same software from A900 and D3X uncompressed raw files converted without sharpening or noise reduction.
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Why the D3X will still sell
You can read Thom Hogan, you can not read Michael Reichmann (because he tells you to read Thom Hogan instead!) and you can muse for hours on the unexpected price bombshell which accompanied the Nikon D3X launch. Then you can watch in surprise as the camera sells.
Why? Read on.
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Nikon D3X announced at last!
RRP: £5499.99 / €7728.00
Availability: Late December 2008Nikon UK is pleased to introduce its new top-of-the-range premium D-SLR – the D3X. Building on the reliability, handling and durability of the award-winning D3, the D3X offers an imaging sensor with over twice the resolution* of the revolutionary D3, breaking new ground in image quality.
(*Nikon’s own words – actually, it’s twice the pixel count, and approximately 1.42 times the linear resolution, as resolution is normally understood, though the visual information density is more than doubled).
The all-new 24.5MP CMOS* sensor makes the new model eminently suitable for the broadest range of shooting situations, both in the studio and on location – ideal for photographers seeking unrivalled detail.
(*Nikon’s own words again – we must wait to find out whether it is really all-new, or is a derivative of the Sony 24.x megapixel sensor. See features below of gapless microlens array and 12-channel readout, which are not claimed by Sony. Samsung pioneered gapless microlenses in the 14.6 megapixel sensor for the Pentax K20D/Samsung GX20).
“This is the camera that many professional photographers have been waiting for,” said Robert Cristina, Professional Products and NPS Manager at Nikon Europe. “Just as the D3 has become the professionals’ camera of choice in sports photography, the D3X’s extremely high imaging resolution will raise the bar for commercial, fashion and stock photography. The results speak for themselves: this is without doubt our highest-quality camera to date.”
The World is Your Studio
The D3X boasts a specially-developed FX-format CMOS image sensor with 12-channel readout, gapless micro lens array and on-chip noise reduction. It delivers class-leading levels of continuous shooting speed and noise management at higher sensitivities without sacrificing detail.
The D3X supports a broad ISO range from ISO 100-1600, extendable down to ISO 50 and up to 6400 equivalent with up to 5 fps continuous shooting at full resolution, or 7 fps in the 10MP DX-crop mode. The acclaimed MultiCAM3500FX 51-point autofocus system enables extreme accuracy with outstanding dynamic tracking for fast moving subjects in low light.
The camera’s LiveView function offers a smooth workflow option, perfect for studio work or other situations where the use of the viewfinder is impractical. The camera also delivers a superb response rate, with a start-up of just 12 milliseconds and 40ms shutter lag. The Kevlar/carbon fibre composite shutter has been designed for intensive professional needs and tested to 300,000 cycles.
Images with the X factor
The D3X reaps the benefits of the very latest developments in sensor design and image processing technology. Designed to produce files suitable to meet the demands of tomorrow’s commercial and stock requirements, the camera produces 50MB 14-bit NEF (Raw) files. Using Capture NX2 software, NEF files can be processed into medium format terrain; 140MB (16-bit TIFF-RGB). Fine details are reproduced with incredible clarity, whilst shadows and highlights contain tonal gradation with minimal clipping for pictures with a unique look and feel.
Intuitive control
The D3X shares the same ergonomics and handling as the D3, which have been designed to enable anyone to get to work quickly and efficiently. The bright, uncluttered viewfinder features 100% coverage and comprehensive illuminated displays, while the high-definition, 3-inch, 920,000-dot VGA TFT monitor enables outstanding playback quality for on-the-spot image assessment. The D3X’s magnesium body, which is sealed for moisture and dust resistance, also supports Nikon’s wireless system (the WT-4), HDMI output, offers a dual slot for CF cards and is compatible with the new GP-1 GPS unit.
See: http://www.europe-nikon.com/product/en_GB/products/broad/1726/overview.html
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Nikon D90 12.3Mp DSLR announced – a new market for Nikon?
August 26th, London, UK: report from Richard Kilpatrick
Today saw the launch of the newest member of Nikon’s growing range of successful DSLRs, with an ongoing increase in market share clearly resulting in growing confidence for the camera brand. Prefacing the D90’s announcement, Nikon revealed that 50% of professional photographers at the Olympics were using Nikon, and their market share reached 44% of the pro DSLR market in February (this is despite the range still having a 12Mp upper limit).
D90 at launch Having introduced the D3, D300, D60 and D700 within the last 12 months, the D80 was really looking like the last man standing; today’s announcement shows that the mid-range “enthusiast” market is going to be exceptionally well catered for with a ground-breaking new model, and leaves me as a recent D3 adopter wondering if it’s possible to justify a spare F-mount body.
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Zeiss announce 18mm f3.5 – not for Alpha
The parallel development of Carl Zeiss lenses for Sony (AF lenses in the Alpha mount) and independent manual focus lenses for other makes continues. The latest CZ design is a revision of the classic 18mm Distagon last seen in the Contax system, optimised for colour balance and reflection supression with digital SLRs.
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Nikon's new D700 FX camera
Nikon announced and released their long awaited D700 camera today in London, bringing the D3’s FX sensor to a wider market. dPhotoexpert was at the launch event. The D700 is closer to the D300 in physical design yet retains many of the D3’s advantages – in fact, it’s easier to say what it loses, other than weight and bulk, rather than what it offers.Compared to Nikon’s flagship camera, the D700 offers one CF card slot, a 95% viewfinder coverage for the 12.1Mp sensor which has a new dust reduction system similar to the D300, and a slower frame-rate still twice the speed of a Canon EOS 5D – with the optional battery grip, it can manage 8 fps, and with standard EL3a batteries it delivers a respectable 5fps. The weather sealing is slightly improved over the D300, and the viewfinder/prism design is similar to the D3 but incorporates a pop-up flash. (Report – Richard Kilpatrick).
The D700 goes on sale in July with a UK RRP of £1999 inc VAT – more details will be added soon.
More details added by David Kilpatrick –
* Capture NX2 is required to process the raw files, and there is no update for either View NX or Capture NX (1.3.x) on any Nikon website to allow these to process D700 files – yet. Capture NX2 is provided as a 60-day free trial with the D700, but the CD does not update registered, purchased copies of NX. I’ve installed NX2 but the experience is not helpful when it comes to assessing the quality of the images – for this, I almost have to have ACR and to be able to study larger output sizes rapidly in the raw conversion window.
ACR and Lightroom are now updated to work with the D700, and the same goes for an increasing number of other raw conversion utilities.
We have an D700 here, we are using it now – the high eyepoint type viewfinder is one radical difference between this and the D300 body, and the experience of using the D700 is very different.
