The world can look very different through the lens… in our January/February 2023 edition, we took a keyphrase ‘Distorted View’ and it runs through the issue in different ways. Michael Colin Campbell remains an early pioneer of digital imaging, with Adobe from the start, after his entry into photography plunged him into the most high-end darkroom work ever with dye transfer printing. William Mortensen proved a fascinating historic photographer to research, with his strangely distorted occult images and nudes hitting the eyes of the photographic world a century ago but still looking contemporary. The third photographer on our cover, Peter Karry, has pursued reflections and altered views in strong colour for many years and won awards for his travel and creative work.
Cameracraft is received exclusively by subscribers and members of The Guild of Photographers. It’s easy to get single copies or subscriptions from this site, and in addition to the printed magazine digital delivery is an eco-friendly low cost alternative which fully supports our unique magazine.
After our subscribers receive their copies whether digital or printed, we wait a couple of weeks before releasing this viewable and downloadable PDF version. It’s a good quality too with the PDF created at Retina screen resolution so you can zoom in or use a large screen. To download and keep you may need to right-click if the PDF opens in a browser window – it’s normal now to have an extension installed which does this. You will however get a better choice of view modes by saving an opening using Adobe Acrobat. Select Two Page view to see the spreads properly, and expand your window to fill your screen. Don’t select ‘Full Screen’ mode as for some reason Adobe make this disable the two-page view!
Your downloaded PDF will include all email and URL links from the text on the pages.
We kick off the year with a fascinating UV-flash hair fashion cover and portfolio, meet the homeless of the Home Counties, examine the case (or not) for bothering to shoot stock photos, see flowers frozen in time, profile the Camera Crazy lady, test the new Sigma 105mm macro and Tamron 28-200mm and the Sony A7C.
Cameracraft January/February started the A7RIII test report, and March/April 2018 continued it. Both are free to read here. In the second issue you’ll also find the review of the 24-105mm f/4 FE G OSS lens. In the first issue, Gary Friedman looks at the RX10 series and one-inch sensor quality as well – and David tests the Voigtländer Nokton 40mm f/1.2 Aspherical FE manual focus lens, Sigma 16mm f/1.4 DN DC, and Samyang 35mm f/2.8 AF FE.
We are able to offer, now, the complete 28-issue digital archive in page-turn format for the final eleven years of Minolta Image and Photoworld (as it became) from 2002 to 2011. For only £10, a one-off payment, you unlock the complete collection of digital versions of the printed quarterly magazine.
This collection forms a fascinating document, showing the transition from the last heyday of Minolta to the merger with Konica in 2004 and the launch of the Dynax 7D, through the takeover by Sony in 2006 and up to the launch of the NEX E-mount system in 2010 and beyond.
Gary has just returned from Malaysia and Singapore, where he was running workshops including one for Sony themselves. He’s also just finished signing off the proofs for the latest Cameracraft quarterly magazine, published by Photoclubalpha’s owners Icon Publications Ltd, edited by David Kilpatrick with Gary as US Associate Editor.
Issue No 3, 2nd Quarter 2013, will be available from the first week of April and includes a great story on Gary’s period working in China, a portfolio proving that pinhole photography does not have be soft and murky, a look at viewpoints and the camera, the best ‘historical battle recreation’ set we’ve ever seen, and more.
We have decided to make a Lulu print-on-demand digitally produced paperback edition covering the last three years of Photoworld magazine, covering the period from the launch of Alpha 900 and photokina 2008, through to the final edition of our quarterly magazine in Summer 2011, when the Alpha 77 was about to hit the streets.
This 312-page book includes the content of 12 editions of Photoworld, each with its cover and contents page, with some advertising and some regular content or ‘diary dates’ removed. A few items like this remain in place, notably Sigma advertisements, because the alternative would be to pay for a blank white page – or they are small ads and part of a larger page layout. We think even these are still of interest for the future.
Some typos and errors have been corrected so this book has more accurate versions of many articles. Some content has been changed, such as the A2 foldout print included in the Autumn 2008 edition to show the quality of the A900 24 megapixel file. As far as we know, Icon Publications Ltd remains the only photo magazine publisher to use the option of a ‘centerfold’. We’ve done it in our professional titles as well, to show medium format quality at its best. But in a digitally printed book, it’s not possible to staple in a 16.5 x 23.75 inch poster. Instead, we’ve used a different choice of a spread and two full page images.
Through this book-form edition, you can track the birth of the NEX system and the death of the optical viewfinder.
If you can not see the Flash preview above, use this link:
The book costs £64.50 – the original three years of magazines would have cost £53.85 absolute minimum (UK annually renewing subscription) and a typical binder costs £10. However, for worldwide customers the overall cost of the magazines over three years plus a binder would have been £90. Digital printing is expensive and we don’t make much on these, but we’ve had Lulu print calendars in the past (2011) with super results and this should be a very good quality book, fairly matching the original litho magazines.