Capture One 6.2 – A55/33, NEX-5/3

The new Capture One 6.2 release includes raw conversion for the Sony Alpha 55, Alpha 33, NEX-5 and NEX-3. It offers enhanced options for local adjustments, additional camera controls for Canon and Nikon and improved XMP metadata functionality.

The release also adds camera support for the latest Samsung, Fuji, Ricoh, Panasonic, Canon, and Nikon camera models as well as camera support for Phase One IQ180, IQ160, and IQ140 including tethered support.

Capture One 6.2 includes the following new features and enhancements:
– Local adjustment of saturation and clarity
– Invert local adjustments mask
– Copy local adjustments mask from other layer
– Auto sync of XMP metadata (sidecars only)
– Additional camera controls for Canon and Nikon
– Improved OpenCL and 64 bit performance

Capture One 6.2 offer support for the following new cameras and ! hardware:
– Phase One IQ180, IQ160 and IQ140 including tethered support
– Canon 600D/Rebel T3i and 1100D/Rebel T3 including tethered support
– Fuji X100
– Nikon D5100* and tethered support for Nikon D-7000 (*preliminary)
– Panasonic DMC-GH2 and DMC-GF2
– Ricoh GR DIGITAL, GR DIGITAL II, GR DIGITAL III, GX100, GX200, GRX S10, GXR P10, GXR A12
– Samsung NX5, NX10, NX11 and NX100
– Sony SLT-A55, SLT-A33, NEX-3 and NEX-5

Learn more about Capture One 6.2 here

Download Capture One 6.2 here

Pro underwater housing for NEX-5

Most underwater housings for compact cameras are basic items intended for use down to 10m or so. The NEX-5, with its magnesium alloy body and exceptional 16mm f/2.8 optic with fisheye and wide conversion options, is worth far more than that. It can be turned into the modern-day equivalent of the Nikonos rather than a modern day equivalent of that peculiarly unreliable subaqua Vectis which Minolta bowed out with…

Here’s something which we found in an email for B&H Photo Video. It is not exactly cheap – you are looking at a near-$2000 investment to take your NEX and lenses below the waves – but it’s got a specification to make serious subaqua shooters rush for that low-cost NEX-5 outfit to complete the kit. Especially as anything similar for DSLR cameras may cost 50%, 100%, even more than this.

There is a waiting list now – the Montreal manufacturer (reports Photoclubalpha forum member Javelin) is 4-6 weeks from delivery after a big rush following the product announcement. So if you want one of these for summer, get your order in right now, do not delay as all production is likely to be pre-ordered this year.

To complete this you need an extension and dome port front, of course

The Aquatica AN-5 Underwater Housing for Sony NEX 5 Camera is a compact (5.5 x 3.25 x 6″/14.2 x 8 x 15.4 cm) housing machined from a solid block of aluminum designed for the Sony NEX 5 camera. This lightweight (2.2 lbs/1 kg) housing has a baked-on powder coating and is fully anodized against the corrosive effects of sea water. It has replaceable sacrificial anodes, plus pad printed function labels that won’t peel off or fade. It has built-in dual optical connectors, and all controls are easily accessed, with the LCD screen at a more-comfortable 15° viewing angle. A variety of ports are available for the AN-5 housing.

Note: Requires Lens port
Also Note: Most zoom lenses require a close-up diopter filter to correct focus distance.

  • Accurately balanced ergonomic design – all controls are within easy reach.
  • Depth rating: 300′ (90 m).
  • Excellent balance underwater.
  • Replaceable sacrificial anodes protect the housing from electrolysis.
  • Precision machined from a single aluminum block
  • Lightweight and compact housing is fully anodized
  • Covered with baked-on powder coating to protect against the corrosive effects of sea water
  • All function labels are pad printed so they will not peel off or fade.

Pre-order from B&H

This is a new product, and B&H show it as available for pre-order, along with the accessory ports (to fit either the 18-55mm zoom, the 16mm f/2.8 alone or the 16mm fitted with the VCL-ECF1 fisheye converter) and accessory L-type hand grip. See comments above about production and orders. This is a hot product and likely to be hard to get.

The housing is compatible with the Sea & Sea Y110a slave-strobe underwater flash. This will set you back the better part of $1000 more, but it’s been tested synched with the NEX mini flash and apparently all works well. Flash is essential for good colour at depth, even down 5m or so and you’ll require it in many water conditions. The premium option is the twin Y110a dual unit (the housing has two optical connectors for the strobe’s fibre optic triggering cables).

If you are put off by the cost, maybe you can’t afford that two week trip to the Maldives to photograph manta ray convocations – the basic housing is $1399, a typical dome port as shown is $499 (for the 16mm lens alone, only $159 and the cheapest option), the L-grip is $59, there’s also an optional zoom control. But 90m diving with an APS-C live view autofocus camera with f/2.8 lens focusing down to a few inches, usable ISO to 1600 and then more, has to make this worth the cost. And if you want to match the combo, you can easily spend $10,000 on a DSLR with housing which will not get into the same space or handle anything like as well.

– DK

NEX firmware upgrades released

Sony has released the firmware upgrades which were promised at photokina for the NEX models NEX-5 and NEX-3, and the Alpha mount lens adaptor LA-EA1.

Photoclubalpha readers in Europe can download the firmware upgrade from:
http://support.sony-europe.com/hub/hub.html
Autofocus is now supported when using the NEX-5/NEX-3 with 14 lenses from the full range of A-mount optics by Sony and Carl Zeiss that includes telephotos, primes and zooms. Aperture settings can be maintained during HD movie recording, and system menu operation has been streamlined alongside other usability improvements. Registered NEX-5/NEX-3 owners will be advised of the free update via email.
Autofocus with A-mount lenses
Single-shot autofocus is supported with 14 optional A-mount SAM and SSM lens models3 when used with the optional LA-EA1 Mount Adaptor. Single-shot AF is also possible while in movie recording mode by pressing the shutter button halfway down. Support for AF operation with A-mount lenses also requires a separate firmware upgrade for the LA-EA1.
Aperture priority with video recording
HD video can be shot while maintaining constant aperture, either in A (aperture priority) mode or in iAuto mode with background defocus activated. This aids the simple creation of beautiful background defocus effects during movie recording.
Soft key settings
It’s possible to customise functions of two of the three soft keys on the camera’s rear panel. Functions that can be assigned include Shooting Mode, Shooting Tips, Precision Digital Zoom, ISO, White Balance, Metering Mode, Flash Compensation, DRO, Auto HDR, Creative Style, MF Assist and AF Area.
Menu start
When ‘Menu’ is selected, there’s now the option to display either the main menu screen or the last parameter set. This simplifies quick readjustment of recently-selected functions and settings.
MF Assist
An enlarged image portion can be displayed on screen with user-selectable duration while in MF (Manual Focus) Assist mode. MF Assist operation has also been improved. The previously-chosen magnified image portion can now be maintained when MF Assist is re-selected, making repeated checks of fine focus quicker and more convenient.
System requirements
PC: Windows XP SP3 (64-bit and Starter editions not supported); Windows Vista SP2 (Starter edition not supported); Windows 7
Macintosh: OS X Ver.10.5 or later
All platforms: Hard disk space: min. 200MB / RAM: min. 512MB.
Upgrade requires USB cable connection between computer and NEX-5/NEX-3.
Autofocus function is supported with these A-mount lenses:
SAM lenses
• DT 18-55mm F3.5-5.6 SAM [SAL1855]
• 28-75mm F2.8 SAM [SAL2875],
• DT 55-200mm F4-5.6 SAM [SAL55200-2]
• DT 30mm F2.8 Macro SAM [SAL30M28]
• DT 35mm F1.8 SAM [SAL35F18]
• DT 50mm F1.8 SAM [SAL50F18]
• 85mm F2.8 SAM [SAL85F28]
SSM lenses
• Vario-Sonnar T* 16-35mm F2.8 ZA SSM [SAL1635Z]
• Vario-Sonnar T* 24-70mm F2.8 ZA SSM [SAL2470Z]
• Distagon T* 24mm F2 ZA SSM [SAL24F20Z]
• 70-200mm F2.8 G [SAL70200G]
• 70-300mm F4.5-5.6 G SSM [SAL70300G]
• 70-400mm F4-5.6 G SSM [SAL70400G]
• 300mm F2.8 G [SAL300F28G]
AF support also requires firmware upgrade for optional LA-EA1 Lens Mount Adaptor.
With an A-mount lens attached to NEX-5/NEX-3, autofocus takes approximately 2 to 7 seconds based on Sony measurement standards. Actual AF time with A-mount lens may vary depending on the subject and shooting conditions.

NEX-5 live sound

I’ve been using the NEX-5 with accessory mic – and sometimes, by forgetting to bring it, without. Today we had the Ripon City Morris side in town, and I was taking still shots using the Nikon D3X with the new Nikkor 85mm f/1.4 AF-S G lens. The NEX was grabbed as an afterthought for video.
Well, the wind noise with the built-in mics was just too much; most of my ‘footage’ ended up on the cutting room floor. After I’d got the portraits and other shots I need for the Nikon test, I nipped back to the studio and got a 4.5m high Manfrotto lighting stand fitted with a ball head. The NEX got its accessory stereo mic (set to 90° coverage) and the 16mm lens, and despite the wind level, was hoisted aloft for the last couple of dances in the square. The 30 minutes recording time really helps. My framing was not perfect, so two of the video clips were cropped down from the original 1080p, in iMovie. It is an instant process, just select the clip, select the crop tool and trim.
Despite very definite winds blowing around the pole-mounted camera and mic, there were no wind noise issues at all. So: for outdoor shooting, the accessory mic is essential.

Here is a video made the week before, entirely using the ECM-SST1 microphone, which has no wind noise at all – see this post: ECM-SST1 microphone handheld clips.
– DK

NEX-5 with ECM-SST1 mic

Some parts of this were very close to large PA system speakers; others were close to dangerous loud instruments of war, notable Border fiddle and Scottish bagpipes from the Coldstream town pipe band (not the same as the Guards, this is the locals not their namesakes!).

Hand-held, mic set to 90 degree coverage not 120 degree. The NEX-5 only offers auto gain, not manual control of sound of any kind. 18-55mm OSS lens, stabilised but not always in stable hands. Widely varying distances from sound source to mic.
Hopefully a fair view of what the NEX-5 does in this kind of situation; and a view of why, despite the awful weather, I really don’t want to retire to somewhere warm and lose this place!
– David

NEX, A33, A55 support – new ACR 6.2/LR3.2 final

The final release of Adobe Camera Raw 6.2, DNG Converter 6.2 and Lightroom 3.2 includes raw conversion support for the Alpha 33 and 55 models as well as the NEX-5 and NEX-3, Alpha 290 and 390 which were included in the Release Candidate versions. These August 30th releases are final version, RC versions are a form of beta test.
The bad news is that anyone using the LR3.2 RC as a temporary free solution for getting full profile correction without investing in Photoshop CS5 will lose their freebie. But Lightroom is eminently affordable, and it can function as a raw conversion front-end for any earlier Photoshop or Elements version. On its own, it is a mere 10MB of program data fatter than Adobe Camera Raw as a plug-in and runs with great efficiency on modestly specified laptops (etc). It’s a lean, keenly priced solution which offers many further benefits as a DAM (Digital Asset Management) library such as keywording, copyright control, metadata editing, version stacking and multiple catalogues.
http://www.adobe.com/support/downloads/new.jsp
I am informed that support is included for the 16mm lens on NEX (profile) but I can’t tell whether it is the profile I supplied to Adobe Labs, or a new one, because my profile has remained unchanged on my system – same names, same modification date. And there’s no NEX-3 version which might be expected if they had created new profiles. So it looks as if it could be worth sending profiles into Adobe after creating them.
It’s fantastic news that Adobe has released ACR for the new Alpha 55 16 megapixel sensor before the cameras even hits the street – mine is on order, waiting! Not so great for Nikon users; no D3100 raw conversion in this release. But Canon users get the 60D (despite Adobe missing it out from their front page list). Adobe did this Sony friendly pre-release once before, for the Alpha 100, getting the conversion into place before the camera went on sale.
The bad news is that the Alpha 580 and 560 models are not in the list alongside the fixed mirror pellucid, transflective (anything but Translucent, please…) cameras.
The instruction manual for the Alpha 33 and 55:
http://esupport.sony.com/US/perl/model-documents.pl?mdl=SLT-A33&region_id=1
is already on-line and shows a March 2010 publication date, which means that Sony has had these new cameras in existence since the beginning of the year, certainly well before PMA when mockups were shown. It’s likely that Adobe’s Thomas Knoll has been using one from the first bug-free pre-production model onwards!
Now all we need is the revised lens series with SAM or SSM motors fitted into the 16-80mm CZ, 16-105mm Sony, 18-200mm and 18-250mm Sony; the 11-18mm wideangle replacement, the 75-300mm SAL replacement, and a few other goodies. Hopefully all Zeiss glass gets SSM where possible. That 16-80mm CZ is four years old now as a design. A tweak to the maximum aperture, or the zoom range, would revive interest.
– David Kilpatrick

ACR 6.2 and LR 3.2 RC released – for NEX

Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom 3 and Camera Raw 6.1 releases; and add over 50 new lens profiles to help photographers automatically correct for undesirable distortion and aberration effects.
But they let Sony down in a big way by only including the 18-55mm OSS lens for NEX, omitting the 16mm which must be very simple to profile (after all folks, there are only TWO officially available lenses for NEX right now – you found time to profile no fewer than 15 lenses for the Pentax AF645, for the benefit of all two dozen worldwide users of this outstandingly popular digital option…)
For ACR 3.2 Release Candidate download – http://labs.adobe.com/wiki/index.php/Camera_Raw_6.2
For LR 3.2 Release Candidate download – http://labs.adobe.com/wiki/index.php/Lightroom_3.2
In addition, the Lightroom 3.2 Release Candidate now allows Lightroom 3 customers the ability to publish their photos directly to Facebook from within the application, and addresses issues reported by customers on the Lightroom 3.0 release. Adobe continues to encourage the community to provide feedback on the updates so it can ensure the highest quality experience for customers working on a variety of hardware and software configurations.
Pricing and Availability
The Lightroom 3.2 Release Candidate is available as a free download for Lightroom 3 customers, and the Photoshop Camera Raw 6.2 Release Candidate is available as a free download for Photoshop CS5 customers. For more information and to test out the updates visit http://labs.adobe.com. Feedback can be provided on the Adobe User to User forum at http://forums.adobe.com.
*Please visit the Lightroom Journal for more information on these Release Candidates and a full list of the improved and newly added lens profiles: http://blogs.adobe.com/lightroomjournal
Newly Supported Camera Models
Panasonic DMC-FZ100, Panasonic DMC-FZ40 (FZ45), Panasonic DMC-LX5, Pentax 645D, Samsung NX10, Samsung TL500 (EX1), Sony A290, Sony A390, Sony Alpha NEX-3, Sony Alpha NEX-5
Also, this update improves the colour and noise profiles for the following cameras that utilise the DNG raw file format already supported in previous versions of Lightroom and Camera Raw: Casio EXILIM EX-FH100 (DNG) and Leica S2 (DNG).

Practical's NEX-5 verdict – 8/10

I was going to post this on our Forum for NEX originally. It’s not good form to launch into what may be seen as ‘rival’ publications or journalists, so it’s the kind of thing which is often kept to blog pages or forum discussion. But Practical Photography is one the best-selling, and most powerful, photo magazines in the world.
So, I copied my ramblings and moved them here, instead of putting them in a forum post where just a few hundred people would see them. Tens of thousands of visitors see Photoclubalpha’s main site articles, and I want this to be seen, because it matters.
Continue reading »

Firmware update for NEX-5 and 3

Sony has introduced a firmware update, allowing consumers to shoot in 3D on the a NEX-5/NEX-3 interchangeable lens cameras.

The free download from the Sony Europe support site (http://support.sony-europe.com/dime/DSLR/DSLR.aspx) adds several performance enhancements including 3D Sweep Panorama. This exciting new technology means it is now possible for consumers to capture dramatic panoramic images in 3D, all with an extra-wide field of view.

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Sony NEX Launch – detailed transcription

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The European press launch
David Kilpatrick recorded the proceedings at Le Meridien Lav Hotel, Split, Croatia on March 11th 2010 using a Zoom H2 portable digital recorder. Shirley Kilpatrick transcribed the audio, with subsequent editing to translate verbal output to read well as text. This is a multi-page document please use the PAGE navigation at the foot of each page to continue reading. It is a very long document.
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