Tag: lightweight

  • Sony FE 100-400mm f5.6-8 breaks the mould

    By David Kilpatrick

    • £799
    • Only 654g
    • 67mm filters
    • With OSS in-lens stabilisation
    • Closest focus 0.41X at 86cm – at 400mm!
    • Takes 1.4X or 2X converters
    • Enables high speed body functions
    • Available in September, pre-order now

    Sony’s new FE 100-400mm f/5.6-8 OSS arriving at the end of August breaks many moulds. It looks as if it derives from Tamron, the lens maker Sony is considering taking over entirely after many years as a shareholder, and at £799 it has a Tamron-level price despite the branding.

    Tamron’s lenses generally take 67mm filters – and so does this. They are compact and light weight, as this is, though the 654g is a real featherweight for such a lens and the physical length (before zooming) of 164.5mm makes it walkabout and travel friendly. As seen below on an APS-C A6700 body!

    Before you question the viability of f/8 at the long end, remember it is just half a stop slower than so many popular zooms which hit f/6.3 at 300mm or even 200mm like my daily companion Sigma 20-200mm. As Canon found, AF off modern high resolution sensors can work at ƒ8 even in poor light and as we all have (I hope) found processing from raw using Adobe Camera Raw now makes ISO 6400 or even 12,800 a clean capture despite the tiny pixel pitch of 60-plus megapixels.

    Unlike Tamron’s OEM designs or Sony’s own excellent 70-300mm f/4.5-5.6 G OSS, this Sony accepts both the 1.4X and 2X Sony converters. A black lens taking white converters! It must be good. They wouldn’t dare risk the potentially awful results of a sub-par zoom with the 2X even if The EVF at f/16 and 800mm will be just as bright as as an f/2 lens in good light.

    Unlike Tamron’s designs so far, this Sony zoom uses a radically different approach to close focusing. Instead of offering the closest and largest image scale at the short end, it does the best thing ever and gets down to 86cm at 400mm, the trade-off being a very conservative 1.13m at 100mm. The long end image scale is 0.41X, so not quite half life size which would be classed as macro. Macro is often better tackled using the APS-C crop anyway.

    It also claims OSS, which I would assume to be Sony’s tech not Tamron VC relabelled. It’s possible too that Tamron has nothing at all to do with this lens. I only dwell on it because it does look that way.

    So, I’ve pre-ordered along with £200 off 1.4X converter. Seriously, this lens if it’s any good may it see me part entirely with MicroFourThirds. I value the reach of OM-Systems’ little 75-300mm, equal to a 600mm though the sensor is only 20MP. Pair this light zoom’s 400mm end with the 28MP 1.5X APS-C crop from A7RV or VI or the slightly bigger file from the A7VI and the pixel-resolution tele power exceeds MFT.

    Add in the unexpected high compatibility of this non-G 100-400mm with advanced Sony body functions like 30fps continuous shooting, or 120fps on that camera body I can not afford. Really it’s a game-changer. Sure, the A7RV kit will never be exactly as light, compact and versatile as my OM-1 kit but with this lens, the Sigma 20-200mm and the lovely little 14mm f/4 Viltrox it will come close.

    As for tech spec, I’ve given most of it and Sony’s sites or any good dealer will have all the detail.

    To buy from WEX, visit this Affiliate Link which will support Cameracraft:

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  • Sigma 16-28mm f2.8 E and L mount

    Sigma 16-28mm f2.8 E and L mount

    The companion for Sigma’s highly regarded 28-70mm f/2.8 compact zoom adds an unbroken range down to 16mm while retaining a small c. 77x100mm size, 72mm filter fit, and 450g weight. It is announced today and will be available to buy from June 17th for £749.99 (UK SRP) or $899 (US retail before tax).

    The new 16-28mm seen fitted to Sony’s compact A7C, with the companion 28-70mm left. The two lenses together weigh only 920g.

    The full-frame Sigma 16-28mm f/2.8 DG DN Contemporary offers a promise of exceptional optical quality with a faster constant maximum aperture in barrel size similar to existing f/4 16-35mm designs. Special attention has been given to field curvature correction for edge-to-edge sharpness, important in wide-angle views – this is enabled through the use of a built-in lens profile, correcting distortion and vignetting in-camera or during raw image processing. 

    It uses five FLD (fluorite-like glass) elements and four aspherics to minimise chromatic and off-axis aberrations. The lens has an inner zoom mechanism that keeps overall length and the centre of balance constant, improving performance when zooming during a gimbal take. The 72mm filter thread is larger than the 67mm of the similarly light and small 28-70mm f/2.8 DG DN Contemporary.. At just 100.6mm long (L-mount version) and 450g it’s appealing for outdoor, social, street and travel photographers who want a lightweight outfit for day-long use.

    The lens is constructed using aluminium and thermally stable polycarbonate, performing well in temperatures from the arctic to the equator, and has a dust and splash resistant mount. AF uses a proven stepper motor compatible with high-speed AF, DMF and AF or MF modes with an MF switch on the side. It focuses down to 25cm with a maximum image scale of 1:5.6, 0.17X and has a nine-blade rounded aperture. On the L-mount version only, linear and non-linear focus ring behaviour can be set using the USB Dock UD-11.

    The lens is supplied with front and rear caps and a bayonet mounted petal lens hood. Sigma WR or WR Ceramic,WR UV and WR Circular Polarising 72mm filters are optional extras.

    Sigma UK – https://sigma-imaging-uk.com

    Product information – https://sigma-global.com/jp/lenses/c022_16_28_28