Cameracraft magazine – Taking your practical photography further
Sony’s new back-illuminated CMOS sensor design makes its first appearance – along with technology borrowed from the Alpha system – in a new HD Handycam video model, the HDR-XR520VE/500VE. Hopefully presaging future DSLR developments, the range also includes models with built-in GPS tracking to record the location of shots as you film.
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RRP: £5499.99 / €7728.00
Availability: Late December 2008
Nikon UK is pleased to introduce its new top-of-the-range premium D-SLR – the D3X. Building on the reliability, handling and durability of the award-winning D3, the D3X offers an imaging sensor with over twice the resolution* of the revolutionary D3, breaking new ground in image quality.
(*Nikon’s own words – actually, it’s twice the pixel count, and approximately 1.42 times the linear resolution, as resolution is normally understood, though the visual information density is more than doubled).
The all-new 24.5MP CMOS* sensor makes the new model eminently suitable for the broadest range of shooting situations, both in the studio and on location – ideal for photographers seeking unrivalled detail.
(*Nikon’s own words again – we must wait to find out whether it is really all-new, or is a derivative of the Sony 24.x megapixel sensor. See features below of gapless microlens array and 12-channel readout, which are not claimed by Sony. Samsung pioneered gapless microlenses in the 14.6 megapixel sensor for the Pentax K20D/Samsung GX20).
“This is the camera that many professional photographers have been waiting for,” said Robert Cristina, Professional Products and NPS Manager at Nikon Europe. “Just as the D3 has become the professionals’ camera of choice in sports photography, the D3X’s extremely high imaging resolution will raise the bar for commercial, fashion and stock photography. The results speak for themselves: this is without doubt our highest-quality camera to date.”
The World is Your Studio
The D3X boasts a specially-developed FX-format CMOS image sensor with 12-channel readout, gapless micro lens array and on-chip noise reduction. It delivers class-leading levels of continuous shooting speed and noise management at higher sensitivities without sacrificing detail.
The D3X supports a broad ISO range from ISO 100-1600, extendable down to ISO 50 and up to 6400 equivalent with up to 5 fps continuous shooting at full resolution, or 7 fps in the 10MP DX-crop mode. The acclaimed MultiCAM3500FX 51-point autofocus system enables extreme accuracy with outstanding dynamic tracking for fast moving subjects in low light.
The camera’s LiveView function offers a smooth workflow option, perfect for studio work or other situations where the use of the viewfinder is impractical. The camera also delivers a superb response rate, with a start-up of just 12 milliseconds and 40ms shutter lag. The Kevlar/carbon fibre composite shutter has been designed for intensive professional needs and tested to 300,000 cycles.
Images with the X factor
The D3X reaps the benefits of the very latest developments in sensor design and image processing technology. Designed to produce files suitable to meet the demands of tomorrow’s commercial and stock requirements, the camera produces 50MB 14-bit NEF (Raw) files. Using Capture NX2 software, NEF files can be processed into medium format terrain; 140MB (16-bit TIFF-RGB). Fine details are reproduced with incredible clarity, whilst shadows and highlights contain tonal gradation with minimal clipping for pictures with a unique look and feel.
Intuitive control
The D3X shares the same ergonomics and handling as the D3, which have been designed to enable anyone to get to work quickly and efficiently. The bright, uncluttered viewfinder features 100% coverage and comprehensive illuminated displays, while the high-definition, 3-inch, 920,000-dot VGA TFT monitor enables outstanding playback quality for on-the-spot image assessment. The D3X’s magnesium body, which is sealed for moisture and dust resistance, also supports Nikon’s wireless system (the WT-4), HDMI output, offers a dual slot for CF cards and is compatible with the new GP-1 GPS unit.
See: http://www.europe-nikon.com/product/en_GB/products/broad/1726/overview.html
As expected, Adobe has again ‘broken’ the continuity of support for users of earlier versions of their Photoshop CS and Elements programs; the new ACR release to handle the forthcoming EOS 5D Mark II (which Canon tell us is not likely to be on sale in the UK before January) will require an upgrade to CS4 (minimum £300 in the UK) or Elements (no upgrade path offered, just buy a new copy every time they do this). Lightroom users, as has happened before, must wait for their own update.
As expected, Adobe has again ‘broken’ the continuity of support for users of earlier versions of their Photoshop CS and Elements programs; the new ACR release to handle the forthcoming EOS 5D Mark II (which Canon tell us is not likely to be on sale in the UK before January) will require an upgrade to CS4 (minimum £300 in the UK) or Elements (no upgrade path offered, just buy a new copy every time they do this). Lightroom users, as has happened before, must wait for their own update.
TRAAKiT is a revolutionary new satellite alerting device which gives you peace of mind by keeping watch over almost anything you want and alerting you if it is moved.
Fujifilm has announced the UK release of a new chemistry, EnviroNeg Developer 60 AC, specifically designed for labs who have seen levels of film processing drop. Normal developers need a high enough throughput of films to remain correctly balanced, with replenishment, over cycles of days or weeks between cleanout and refill operations. The fewer films a lab gets, the worse their development quality control is likely to become.
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The Royal Photographic Society has launched a competition to recreate a never-forgotten scandal of Victorian photography – and update it for the digital age.
The competition – Modern Virtues, Modern Vices: Restaging Rejlander’s ‘Two ways of life’ (1857) – celebrates The Society’s forthcoming lecture and workshop series: ‘The Real Thing: Staging Manipulation and Photographic Truth’.
Two ways of life’ – Oscar Gustav Rejlander 1857 – Image from the RPS Collection at the National Media Museum
For any large circulation magazine to create a page section which folds out to view a A2 size is too expensive to consider – but Photoworld, subscribed to by enthusiasts and printed in a short run of only 1,600 copies, goes out on November 5th with a foldout sample image.
Nikon UK is pleased to announce a firmware update for the D300, taking it to v1.10. Please visit the links below for more detail about how to upgrade existing firmware and information about the improvements it can offer:
D300 Firmware Update v1.10
Windows – http://nikoneurope-en.custhelp.com/cgi-bin/nikoneurope_en.cfg/php/enduser/std_adp.php?p_faqid=25962&p
Mac – http://nikoneurope-en.custhelp.com/cgi-bin/nikoneurope_en.cfg/php/enduser/std_adp.php?p_faqid=25961&p
DxO Labs today has announced the availability of DxO Optics Pro v5.3, a new release which includes support for the Sony cRAW format missing from previous versions. They also say that new RAW conversion technology “turns the promises of very high ISO (up to 25,600) into reality”.
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