Cameracraft magazine – Taking your practical photography further
I CARRY a camera everywhere, because you never know when a good photograph is round the corner. I also just grab the camera from my office, and rarely think to check the settings. Today, I managed to shoot everything with Super Steady Shot (Anti-Shake) carefully switched off on my Alpha 100. Continue reading »
IN 2006 before the Sony Alpha 100 was launched, my Dynax 7D went on its last serious travel shoot, spending a short week in the south-west of Ireland. Continue reading »
SOME time ago I got hold a Soligor Pro 0.75X converter – a front-of-lens job. This is not something anyone should consider using on a DSLR. The Soligor was a bit different because it cost nearly as much as the ACW-100 wide angle converter for the Konica Minolta A1/A2/A200, which does an excellent job, and fitted a 62mm filter thread. That’s about the largest rear thread on any converter I have seen. Continue reading »
THE PROBLEM of darkened extreme corners with the 16-80mm CZ Sony lens definitely exists. They are there in many of my shots, with or without SSS anti-shake enabled, significant softly darkened corners. Everyone is saying this must be due to filters, and at least one of Forum regulars has emailed Zeiss about this issue (and got a reply almost admitting that the lens falls short of ideal design). But is it? Continue reading »
Here’s a thought for today, in the absence of Microsoft’s new Vista operating system. Don’t want to break the Dell which does all necessary PC stuff and seems happy on XP Home Edition, even if that makes people laugh. The last pre-Intel Mac OS and presumably the current Intel incarnation have a Find function in the ‘Finder’, not exactly analagous to Windows Explorer but the system’s interface for all operations and present no matter what you do.
This ‘Find’ function has been amended at some point to go right into the EXIF data Continue reading »
An old Japanese folk-tale, discovered in a book of oriental myths and legends, and translated from the original Ancient Sumo script by David Kilpatrick.
THERE WAS once a beautiful Geisha called Minolta (here real name was Chiyoko but she adopted the stage name of Minolta once her fame spread abroad). She had many rivals, and was courted by many suitors. Continue reading »