AI cuts reflections in glasses

This is a follow-up to our last post about PortraitPro. Using a self-portrait taken for the purpose with bad reflections in uncoated reading specs, I went through the options of the reflection removal process. Mid-May a 15% discount was authorised for code CC524 at www.anthropics.com which applies to all 50% discounted program downloads.

It was taken on the Sony A7IV with 85mm f/1.8, tripod, ISO 400, lens at to f/8 and control through iPhone 15 Pro Max using Sony Creators’ App remote viewing and control. The screen on the A7IV was vertical and facing me, so I could also look at the camera and see the reflections move as I changed my head angle. Setting this up showed me some problems with the A7IV articulated screen design I had not realised – it can only face the self-portrait subject when folded out at the left-hand end of the camera, which with a Arca-Swiss L-plate means hanging down… obscured by the tripod head! So no L-plate but standard Arca small plate, and camera upside down compared to normal hand holding.

This is the result using PortraitPro V24. Read on to learn more, and don’t forget if you decide to get this program use Cameracraft’s additional 10% discount code, CCV245.

PortraitPro has come a long way in a few years. At the top end, the Studio Max version is a £308 program which costs £154 with the 50% download discount that Anthropics have offered ever since the days of CDs in packaging. Since no-one now buys a CD, the real price is £154 (with 10% off for Cameracraft’s code, CV245 in the latest May/June issue).

You may not need Studio Max with its 48-bit file capability, workflow from raw to exported finals, multiple image batch processing intended to auto retouch complete portrait sessions, handling of wedding groups and granular control fine-tuning its effects. The basic V24 includes this function and costs £99 less 50% download only less our 10% – so £44.55.

It is now very fast indeed on Apple Silicon and integrates with Adobe’s photo programs. Under the hood it uses some of Adobe’s functions, without venturing into Generative Fill AI to change a digital capture beyond the scope of many competitions. It uses AI, but does not rely on on stolen images or ones licensed for almost nothing in bulk from the big picture libraries. Anthropics built their platform on measurements of the human face and body, research into what people like or dislike, and many years of coding. When it uses image-based AI it draws that from your photo and its bank of facial features modelling data.

The Reflections in Glasses problem

Recently we came across a question in a professional photo organisation Facebook group asking how it was possible to remove reflections from glasses. It’s very difficult, and when it happens in a set of pictures where the photographer is unable to prevent it, it can ruin groups and presentation shots. Many battery studio-location flash heads now have very low power modelling and it’s all too easy to light your subject and fail to spot that your octa-box is reflecting in specs.

PortraitPro’s specimen example might just be good luck, so I decided to test Version 24. My studio room has shutters when blackout is needed. Two pure white plain blinds 110 x 220cm cover the tall south facing windows to prevent furniture, fabrics, art and photographs fading or warping in direct heat. They make a wonderful giant dual light source in daytime sun even in midwinter but reflect in glasses when the camera angle is not just right.

Removing reflections from specs does not come under the Eye menu – it’s under the “Inpainting menu” along with Mouth & Teeth and Remove Stray Hairs.

This is a crop from the original file.

The Reduce Reflections in Glasses view above shows other retouching functions too (notice some reductions in skin blemishes and wrinkles) but has the reflections reduction set to Off. When you select Remove Reflections in Glasses, you see choices for Off (the start position) then Options 1 to 5. Each is a different AI generated restructuring of what should be visible through the reduced reflection. My eyes are old enough to be slightly difficult and it was interesting to see the five choices.

Option 1

Option 2 (note the left eye eyelid in all these and how it changes).

Option 3 which I felt got the eye almost right, though further retouching would be needed for a portrait. It would be good enough for a PR or informal shot.

Option 4 rather odd mismatched detail.

Option 5 eyelid droop…

Option 3 got the upper eyelid almost perfect (not quite but acceptable) and the Strength slider did allow the reflection to be eliminated to the degree shown above. However, it looked better with 85% effect or even the 50% of the earlier example, a faint reflection remaining without obscuring the eye.

The time taken on my Mac M2 Studio Max was next to nothing, I didn’t bother to time it as everything happens in real time include the export from the starting 33MP JPEG to a same size with all PortraitPro’s very subtle modification of the portrait. The defaults were just right but I increased fine wrinkle reduction out of vanity!

After saving a copy of processed result I also saved a .ppx file (the Project) which is a bit like an Adobe .XML sidecar file, and re-opens your original with all the edits at the point you saved this snapshot, reversible and adjustable as needed.

A tougher test

Here’s a worse example than anything you should end up with, so I set maximum strength on this. Option 4 worked best, and despite my eyes being almost entirely obscured by double reflections in my computer reading specs, it was not a bad fix at all. My ‘proper’ specs are coated of course and don’t reflect as badly.

I’m sure I could ask Adobe AI to do something the Generative Fill after masking the reflection area, but in the time it would take me to brush a mask in place, the entire PortraitPro glasses reflection removal would be done and dusted. Is it worth £139 (after our code CCV245 discount)? That depends on what your time is valued at and whether you ever encounter an error in shooting which leaves reflections ruining a shot.

– David Kilpatrick

To see Anthropics PortraitPro Studio Max, and the other versions which start from £49.95 (right now there’s a 15% CC524 discount, update May 23rd 2024) – all include this reflection removal function alongside stacks of other tools – go to https://www.anthropics.com/portraitpro/

Cameracraft – a new quality photo quarterly

STOP PRESS update: Cameracraft issue 1, Q4 2012, will mail out on Tuesday  September 11th. Subscriptions placed by the end of Sunday  9th will be included in the mailout. Subscriptions placed after this date may be mailed before September 14th if possible, but the week after that is photokina – and we will be unable to mail out between September 15th and 21st.

One year ago we took the difficult decision to end the publication of Photoworld, though Photoclubalpha continues as an active and well supported site. Thank you for visitng here to see our news posts, reviews of equipment and forum.

I’ve been missing making magazines with true editorial freedom for some time. So, a new quarterly – like Photoworld in quality, starting out with 44 pages and no advertising – is about to appear. The name is Cameracraft, harking back to the West Coast American title  (written as two words) which was published in the first half of the 20th century.

Cameracraft is an international magazine. Gary Friedman in Los Angeles is our US Associate Editor with a regular feature article. We’re looking for work of international interest, we have a small open picture gallery in each issue, and we are printing portfolios in classic style as an 8-page central section on heavier silk paper.

The first issue is scheduled for mailing before September 14th and has now gone to press. We will have a subscriber card, we plan a passworded private forum, and we offer optional magazine binders (fitting three years each). We plan to develop exclusive benefits for our readers in future. The subscriber card will be issued late 2012 and sent out with Issue 2 in December, once we’ve worked out a good way to ensure the right cards go to the right people…

        

Please take a look at the subscription page here:

http://www.iconpublications.com/cameracraft

On this page you will find a link to a downloadable PDF application form if you are interesting in subscribing and prefer not to use the Paypal payment method. At present the 3-year, 12-issue Cordex bookshelf binder is only offered on the webpage, but the address carrier sheet for the first issue has a form on the reverse for ordering. We expect to ship the binders mid to late October.

I hope you can join me on this new journey. It started over 30 years ago, in 1980, when Minolta Camera Co. of Osaka asked us to run the Minolta Club of Great Britain and upgrade their Photoworld magazine to a high quality colour title which became known as Minolta Image. When Minolta merged with Konica, we changed the name back. After Sony took over the camera brand, they asked us to stop publishing but didn’t offer to refund thousands of club members, so of course, we kept going independently. In Summer 2011 we printed the last copy of Photoworld.

At the time, we promised our remaining readers an Alpha Annual in 2012. For many reasons that has not been possible, and a return to publishing a magazine in quarterly form for a like-minded group of readers proves a more flexible offering. We do have Alpha content, of course, but from now on we can balance this. We’ve had comments along the lines that a 44-page magazine is too slim for a quarterly. Photoworld/Image was 36 pages, and in the last year or two, only 28. I have counted the editorial pages in magazines with 76 or 84 overall and find that most only have 44 (or so) with all the rest being advertising. We think it’s good value and if the readership grows we will take it as far as the printing and postage costs allow.

Best wishes – 

David Kilpatrick
Publisher and Editor, Icon Publications Ltd and Photoclubalpha 

€10,000 prize in French pro photo contest

The Agency for the Promotion of Professional Photography in France (APPPF or A3PF), launches the 3rd edition of “The Photograph of the Year”. This contest is exclusively reserved for professional photographers living in Europe. 18 trophies will be awarded in March 2011, during a ceremony which will gather the 48 finalists (three per subject) of the sixteen categories awarded, plus the photograph of the year and a trophy of honour. For this third edition of the competition, Continue reading »

Alamy blacklists compact and bridge digitals

In an unusual move, probably designed to cut down the work of rejecting submissions which fail to make the grade, the on-line picture library Alamy has published lists of cameras (by make) which will NEVER produce a file acceptable to pass their Quality Control. It includes all the Sony Cyber-shots ever made as far as we can tell! They say: “Check your camera – do NOT submit any images from camera models featured on the list below. Camera models featured on this list do not produce files that are capable of passing Alamy’s QC standards.”
Continue reading »

Alpha 850 official press release

Sony has announced the Alpha 850 today, without a press conference, but via email to editors. The press release follows, confirming pretty much everything we have already been able to reveal about the 850. One exception – it does have dual BIONZ processor, not single, just a slower image throughput perhaps due to clock speed, buffer, processing firmware changes. We must hope that the slower capture rate is accompanied by superior image quality, as that is a real possibility. I have marked in bold any phrases which I think might indicate something new. Apparently the body-only deal is to appear one month before the kit.
Continue reading »

Welsh National Trust photo contest

Picturesque pastel coloured seaside cottages; cows lazing in summer haze; soaring mountains; a red kite gliding elegantly; weathered stone walls… just some striking images of the Welsh countryside that would be enough to inspire anyone to reach for the camera!

A new photographic competition is being launched by The National Trust in Wales on the theme “The Welsh Countryside” – on one of the following subjects: wildlife / landscape / farming / buildings. The photograph doesn’t have to be of a National Trust building or on Trust land (which is just as well as the NT does not allow photography for commercial reasons, including stock or editorial, on its property – Editor).

Entrants will compete in one of three categories – Open; Under 18; or National Trust Tenants – and will have the chance to win £1,000 worth of prizes, supplied by the UK’s leading photographic retailer, Jessops.
Entrants will also be able to take advantage of 30 free photo reprints at Jessops stores.

The photographs will be judged by Chris Lacey, Manager of the National Trust’s impressive photo library. He offers some hints on what makes a great photo: “By thinking creatively and looking at things in a different way, you can really bring things to life in a photo. I’ll be looking out for the correct exposure (so images which show details in the darkest and lightest areas); that the subject is of interest, which is eye-catching; that the focal point of the image is sharp; colour balance, and that the image provokes an emotion or feeling.”

The winners will be announced at the National Trust’s stand during the Royal Welsh Show (21 – 24 July), where a selection of the best photographs will be displayed.

Digital pictures need to be 7” x 5” at 300dpi

The closing date of the competition will be 9 July 2008, and entries can be sent digitally to: [email protected] or posted to: The National Trust, Trinity Square, Llandudno, LL30 2DE.

Epson 40th anniversary photo contest

Epson, the inventor of the first ever electronic micro-printer in 1968, has today launched a pan-European competition to celebrate its 40th birthday. Designed to spark the imagination of Europe’s image makers and mark four decades of innovation and inspiration, the competition is open to all, setting a challenge to design an image to be used on Epson’s birthday card. The overall winner will receive ‘the trip of a lifetime’ worth €5,000 (circa £4,000) whilst all entrants will have their work displayed within an impressive online gallery.

Barbara Kuhr, Head of Strategic Marketing at Epson Europe commented: “Over the past 40 years, we have witnessed a quantum leap in the quality and capabilities of digital printing. To mark the occasion, we’re asking imaging enthusiasts of all capabilities to exceed their vision and provide a lasting image that will help us to celebrate Epson’s 40th birthday in style.

“Entrants need to capture the essence of 40 years of innovation in a single image; it’s not an easy task but we are confident that the competition will provide some exceptional and powerful pictures. There are some great prizes on offer, and we will display 40 entries in a prominent position at the Photokina exhibition in Cologne this September – providing exciting and valuable exposure.”

Entrants to the competition must submit an original image, which can be a photograph, illustration, montage or any other image that encompasses the theme: ‘celebrating 40 years of innovation’. A gallery of entries will be displayed at www.epson-europe.com/40, which also contains an online entry form and an interactive timeline chronicling the significant technological advances pioneered by Epson over the past four decades.

All age groups and levels of ability can participate, giving everyone the chance to have their work displayed within an online exhibition and to gain inspiration from one another, unbound by geographical or social boundaries. Images will be judged on relevance to the theme, composition, technical quality and creativity. Winners will be chosen by an independent group of judges selected from Europe’s community of elite photographers.

Isabel Muñoz, a leading photographer and one of Epson’s bespoke judging panel commented: “Epson has set a tough challenge with this competition, and it will be fantastic to see how innovation and progression is translated artistically by image makers throughout Europe. It is a fantastic concept and I am looking forward to the exciting and eclectic entries.”

Aside from their image being used on Epson’s birthday card, the overall winner will receive a ‘trip of a lifetime’[2], whilst second place will receive €1,000 (circa £800) worth of Epson products. €500 (circa £400) worth of Epson products is on offer for third place. All three finalists will also receive a certified Digigraphie® print of their work – a large format, professional, authenticated quality print using Epson UltraChrome™ K3 inks with Vivid Magenta and printed on certified paper.

Entries must be submitted to Epson before 24.00 on July 31st 2008. Digital entries need to have a resolution of 360dpi and can be submitted via the dedicated website. Hard copy entries can be posted to Epson at: Epson, PO Box 49793, London WC2A 1WA, England. All entries must fit within 150mm x 215mm in either landscape or portrait format.

Gary Friedman photo trip to Latvia

We are announcing a very unique trip for budding travel and reportage photographers out there. This is a “Photo Expedition” – different from a traditional tour package – put together by professional photographer and camera system e-Book manual author Gary Friedman (who runs the stock photo website www.FriedmanArchives.com ).

Latvian Church

Says Gary: “Photo Expeditions are guided travel programs which cater to the unique needs (some people might say “eccentric needs”) of photographers. Getting up at 4:00am in order to catch the sunrise is not out of the ordinary. Taking you to landmarks only when the light is right makes perfect sense to us. Taking you to places off the beaten path and leave you free to roam and photograph a fishing village is exactly our itinerary. And you’ll be with fellow photographers who love to travel, make new friends, and tell the story via pictures. The whole tour is based on the premise that nobody ever took a National Geographic quality photo from the window of a moving bus.

“The event will be taking place in the beautiful Republic of Latvia on July 13-20, 2008. UK readers can book low-cost flights from Ryanair, typical costs for the return journey from Stansted and various other airports to Riga are around £130-£200 on the dates involved, including taxes.

“Where…? Not many people have heard of Latvia, but it was one of the most beautiful of the Soviet Republics. You can see pictures and read a detailed itinerary at
http://friedmanarchives.com/expeditions/latvia/ .
“The trip is all-inclusive – once you get your self to Riga, we take full care of you from start to finish. We have room for only 14 people, so if you’re thinking of going, signing up sooner is better than later!

“I feel especially proud that we were able to secure as our “home base” one of the best retreat properties in Latvia. From the website:

This property was once an exclusive retreat for KGB VIP’s where satisfaction was guaranteed for the Soviet elite: Deer were tied to a tree so old Generals could shoot it, and divers would secretly hang fish onto submerged fishing hooks to please their high-ranking vacationers.

“The new facility built to European standards and situated on Valguma lake where you can sit at breakfast and enjoy the view of the hills and woods.

“If you’re even thinking you might want to join us, please send me an email at [email protected] to let me know your intent and I can let you know when spaces are about to run out. This is going to be a fun trip!

“Check out the details at www.FriedmanArchives.com/expeditions/latvia and let’s hear from you!”

1 2