Sigma updates flash for Alpha
Electronic Flash EF-530 DG SUPER
Advanced features and high performance for the latest digital SLR cameras and 35mm film SLR cameras
NEWS RELEASE from Sigma UK Continue reading »
Cameracraft magazine – Taking your practical photography further
Electronic Flash EF-530 DG SUPER
Advanced features and high performance for the latest digital SLR cameras and 35mm film SLR cameras
NEWS RELEASE from Sigma UK Continue reading »
I SELL digital images through Alamy, the on-line photo library. When an original piece of art is out of copyright, and displayed in public or by an owner permitting photography, the ability to get a good quality reproduction copy on the spot without lights, tripod or flash is valuable. Some 8 per cent of my overall Alamy images sales over the past four years have been of signs, notices and labels – disproportionately high, compared to the actual number of such shots. As someone has commented, editors like pictures which tell their own story, and sometimes have words in the pictures does just that. Continue reading »
WE spent a great week shooting mainly in Vaucluse, the district to the east of Avignon in the south of France, with Shirley using the 18-250mm Tamron f/3.5-6.3 lens exclusively. One object of this was to get some more example photos for a short article on the lens in our forthcoming Photoworld magazine. Continue reading »
9 July, 2007 – As take up of High Definition (HD) gains momentum in Europe, Sony is to launch a major Pan-European marketing campaign to demonstrate the breadth and depth of the company’s HD proposition and to educate consumers about the intricacies of HD.
THE appearance of press-release resolution (14Mb) images of the new Alpha – un-named but thought to be the Alpha 200 or 300 because of the product code earlier assigned to shots of prototypes at PMA – combines with reports on various forums from European Sony executives visiting Japan to suggest that the launch announcement for the new model and a range of full-frame lenses is imminent. Continue reading »
ASDA and Sony launch fastest digital photo printing service on the market
Britain’s second largest supermarket chain invests in multi-million pound deal to install 260 kiosks in 130 stores across the UK to maximise customer convenience and profits
LONDON, 20th June 2007 – By the end of 2007, ASDA customers will have access to the fastest digital printing facilities on the market with new Sony printing kiosks. The Sony kiosks utilise state-of-the-art printing technology to create standard 4×6″ photos at market leading speed.
Press release from Sigma 1.30pm today – their phone lines have just been restored after a day out of operation, were cut via hatch in road by the gang:
THE FIRST QUESTION anyone asks about the Sony GPS-CS1 device is whether it will work with their non-Sony digital camera. The answer is yes but you may need to buy some extra software, as it only comes with software to link up to Sony Picture Motion Browser. If you can ensure that you buy the product sold as GPS-CS1KA it should include a copy of this software in full. If you buy the product coded only as GPS-CS1, it may have nothing apart from a patch-updater program you are supposed to use with your existing Sony installation. So make sure you know exactly what you are buying (there appears to be no price difference, and very few retailers are making any distinction between the two bundles). There seems to be no reason to continue offering the kit with the updater only. Continue reading »
YOU MAY want to learn exactly how I shoot the product photographs which appear in my own articles here at Photoclubalpha. I use a studio light table with an opal plexiglass transilluminated scoop. This is the method I have used now for over 25 years and it’s saved me a lot of time, and earned me a lot of money.
THE LENSBABY was a novelty item when first introduced as a low-cost meniscus lens mounted on a flexible concertina tube with an SLR mount-fitting at the other end. Like the Diana or Holga cameras sometimes used by professionals to capture a feel of post-modern grunge, it used aberrations creatively. Continue reading »