Cameracraft magazine – Taking your practical photography further
If you use Sigma lenses on your Alpha, you can join the Sigma User Club UK and enter their prize competitions (anyone can join, worldwide, but you must be in the UK to enter the competitions as the prizes are given by the UK distribution company).
Alan Hess is the author of a new field guide to using the Sony Alpha 700, published by Wileys, with 281 pages and the usual contents covering basic photographic techniques as well as the camera’s operation.
The cost of the guide is 16 Euros by mail order from Research & Markets of Dublin website; the title is ‘Sony Alpha DSLR A700 Digital Field Guide‘.
The parallel development of Carl Zeiss lenses for Sony (AF lenses in the Alpha mount) and independent manual focus lenses for other makes continues. The latest CZ design is a revision of the classic 18mm Distagon last seen in the Contax system, optimised for colour balance and reflection supression with digital SLRs.
Nikon announced and released their long awaited D700 camera today in London, bringing the D3’s FX sensor to a wider market. dPhotoexpert was at the launch event. The D700 is closer to the D300 in physical design yet retains many of the D3’s advantages – in fact, it’s easier to say what it loses, other than weight and bulk, rather than what it offers.
Compared to Nikon’s flagship camera, the D700 offers one CF card slot, a 95% viewfinder coverage for the 12.1Mp sensor which has a new dust reduction system similar to the D300, and a slower frame-rate still twice the speed of a Canon EOS 5D – with the optional battery grip, it can manage 8 fps, and with standard EL3a batteries it delivers a respectable 5fps. The weather sealing is slightly improved over the D300, and the viewfinder/prism design is similar to the D3 but incorporates a pop-up flash. (Report – Richard Kilpatrick).
The D700 goes on sale in July with a UK RRP of £1999 inc VAT – more details will be added soon.
More details added by David Kilpatrick –
* Capture NX2 is required to process the raw files, and there is no update for either View NX or Capture NX (1.3.x) on any Nikon website to allow these to process D700 files – yet. Capture NX2 is provided as a 60-day free trial with the D700, but the CD does not update registered, purchased copies of NX. I’ve installed NX2 but the experience is not helpful when it comes to assessing the quality of the images – for this, I almost have to have ACR and to be able to study larger output sizes rapidly in the raw conversion window.
ACR and Lightroom are now updated to work with the D700, and the same goes for an increasing number of other raw conversion utilities.
We have an D700 here, we are using it now – the high eyepoint type viewfinder is one radical difference between this and the D300 body, and the experience of using the D700 is very different.
Nikon is holding a launch today (June 30th) in London, and presumably worldwide. Richard Kilpatrick is attending for Icon Publications Ltd. As at 1.30am Monday, no press release has been received from Nikon, so we can assume an embargo will be in place but news may be released around 10.30am Monday 30th (GMT).
The launch is expected to reveal a low-cost 12 megapixel ‘full frame D300’ based on the sensor used in the D3, with a D100-type body like the D300. It may also preview the D3X, a full frame 24.x megapixel D3-type body using the new Sony high resolution full frame sensor.
We had early information that Sony would launch new products in June, which now has one day to go. The 58 flashgun may have been the only launch for June. A possible clue to imminent roll-outs may be that new Sony point of sale cabinets have space for products which the dealers don’t yet have! The 24-105mm f/4 G SSM has already been leaked but we can expect two more key lenses in the wide angle and medium tele zoom ranges. Rumours of a June 30th launch may apply to the Nikon conferences, not Sony.
My bet is that the first we may actually see of some new items for sale will be in the window of Foto Gregor, Cologne, around September 23rd. We shall be at photokina from the press day on September 22nd – watch this space!
– David
Sony has announced the September introduction of the most powerful flash yet for the Alpha system, the Sony HVL-F58AM which incorporates a brand new body design allowing optimum bounce flash illumination regardless of how you hold the camera.
Increases in pixel count are often dismissed because to ‘double’ the resolution of a 6 megapixel sensor you would need 24 megapixels. Indeed, to double it linearly you would – but the human eye judges density of detail on an area basis.
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Following announcements that Sony has developed a backlight technique to enable extremely low noise exposures, we receive this press release which may or may not be related – a Sony CCD astrophotography camera capable of one-hour exposures and programmed sequences. Resolution seems a bit basic though.
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Here’s a question which came in to my email just now:
“Could I process a RAW file in Photoshop to achieve a similar effect as if I had used a Polaroid lens filter?
Or would I be better just using the Polaroid filter?”
The answer is that you can never imitate the effect of polarizing light (which changes the way reflective surfaces look, and deepens or lightens the sky blue according to the zone of the sky relative to the sun’s position. But you can use Adobe Camera Raw (CS3 versions) to deepen skies you never thought could be rescued.
The introduction of a £399 (street price, RRP £449) DSLR with 14.2 megapixels – with or without a useful type of Live View – should have been applauded by reviewers. It’s the single most important point about the camera. No other DSLR approaches this image size and resolution at such a low price. Continue reading »