Category: NEX System

Firmware updates for Alpha 77, Alpha 65, NEX-7, NEX-5R, NEX-6

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Sony has released internationally valid firmware updates for both the Alpha 77, Alpha 65 and NEX-7. Both updates have similarities, mainly adding a menu item to lock the Movie button and prevent accidental video takes. This is more important than it might seem, as the Sony memory card structure only permits video or stills to be accessed depending on which function was last used. Having accidental movies shot is frustrating, having to delete them before resuming still picture review has doubled the frustration. Now this issue is solved, but leaving many other Sony models in both Alpha and NEX ranges unmodified.

Revision October 18th 2012: as we check and re-check the Sony UK support site, more firmware updates have been released for Alpha 65 (title of this post amended!) and they are expected for A37, 57, 33 etc as well. We will add new cameras to this page rather than making new posts.

The firmware update omits the one function most demanded by movie makers – a fixed or user-set gain for the microphone, or for the mic socket. This exists on the Alpha 99. Having a permanent Auto Gain on the 7 models means they are unsuitable for most video work, where Nikon and Canon cameras have this vital simple control to prevent poor sound quality. The firmware was expected to add at least a fixed gain, possibly a simple hi/lo or three-step gain, ideally a multi-step adjustment. In the end, we get no change on this front, leaving Sony lagging behind with current models that are not functional for one of their principal functions.

The new firmware is Version 1.06 for Alpha 77 and 65 and version 1.01 for NEX-7.

Here are the links (from Sony UK, but usable on other regional models without damaging the localisation or settings):

Alpha 77 upgrade, Mac OSX

Alpha 77 upgrade, Windows

Alpha 65 upgrade, Mac OSX

Alpha 65 upgrade, Windows

NEX-7 upgrade, Mac OSX

NEX-7 upgrade, Windows

The Alpha 77 upgrade also adds in-camera lens correction support for the SAM 30mm f/2.8 Macro, SAL 50mm f/1.4 (and presumably for the Minolta/KM equivalent with the same lens identity), the SAL CZ 24-70mm f/2.8 SSM, SAM 28-75mm f/2.8, SAL 70-400mm f/4-5.6 G SSM, SAL 70-200mm f/2.8 G SSM, SAL CZ 16-35mm f/2.8 and SAL 35mm f/1.4 G (again, presumably also correcting the Minolta/KM lens with the same identity number).

There are initial reports of a faster response, and faster image review time, supported by other Sony sources (Sony UK does not list these). Changes like this are normally accompanied by minor improvements in image quality, as the firmware has to be addressed pretty deeply rather than just tweaking a few parameters. Nothing gets to work faster unless it’s re-coded and that is good news. This is a near 64-megabyte program download, and not all of that is used for the updater part of it which runs on your Windows or Mac machine (exact specs are given on the links, and 64-bit is not supported so you need an old laptop or something like that to do your updating, if you have current systems – we always keep an older machine around for exactly this reason).

Specific additional claims which have surfaced include faster start-up and/or shutdown, more responsive front and rear wheels (?), improved auto review response, better AF performance with the new 500mm G, and better AF with scenes including bright areas.

Much the same applies to the NEX-7 firmware update, to version 1.01, which gives exactly the same Movie button disable/enable menu item (and lack of audio control update) along with improved performance using wide-angle lenses (which must at present mean the 16mm f/2.8, and perhaps the 24mm f/1.8, as no other lenses exist which can be called wide-angle and also work with the NEX-7 – the 10-18mm new design isn’t yet compatible). Auto bracketing is extended to 1, 2 or 3EV plus/minus and auto review of the image taken is made more ‘responsive’. The behaviour of the moving Flexible Spot AF marker is improved (?).

Auto review is not a minor function on the NEX-7 as sequence shooting may be speeded up in the process, or viewing through the EVF when shooting in motor-drive mode made tolerable. Users will have to report back as to whether this is the case.

NEX PDAF lens compatibility updates

There are lens firmware updates for the NEX-5R and NEX-6 – these add the SEL 18-55mm, SEL 18-200mm, SEL 55-210mm, and SEL 24mm f/1.8 CZ to the PD-AF compatible choices:

NEX-5R lens compatibility upgrade .02, Mac

NEX-5R lens compatibility upgrade .02, Windows

NEX-6 lens compatibility upgrade .02, Mac

NEX-6 lens compatibility upgrade .02, Windows

Comments

Where we have put (?) that’s because the difference is not defined and we’ve never noticed any particular shortfall in performance, or heard any complaints about these aspects. Therefore we would assume this was ‘collateral benefit’ – an improvement which has come about through tweaking other functions. And it is reasonable to assume other collateral benefits may be present which Sony considers too slight to mention, or simply wishes not to refer to.

From past experience it is always worth doing these updates and there is no risk to your gear if you read and follow the instructions carefully.

——————————————————–

Added after upgrading our Alpha 77, making test shots before and after:

ISO 1600 noise/grain from firmware 1.05 – 100% clip sRGB, 1/13th at f/5.6 as metered

ISO 1600 noise/grain from firmware 1.06 – 100% clip sRGB, 1/15th at f/5.6 as metered, conditions identical, focal length 45mm not 40mm as first shot

Processing – ACR 7.1 with all NR and sharpening turned off, all parameters zero, linear, Adobe Standard profile etc.

Although there is no difference in the noise grain ‘size’ on examining a range of similar shots made from 1600 to 12800 ISO, the overall comparison favours the 1.06 update as having slightly less saturated colour noise and less tendency for blotchy green areas. With NR controls there is no great difference but 1.06 seems to be marginally improved.

1.06 changes the raw file data structure enough to yield a different metadata view. It adds a 350dpi resolution container, and fields to report GPS data in EXIF (whether or not GPS is active) which appeared for the image taken after the update, and do not appear in the shot taken beforehand, when checking metadata in Photoshop. There certainly is no great improvement but there are also more changes than Sony provide details for.

64-bit and 32-bit

On dPreview and other sites, some users state that the updater will work under 64-bit systems such as Mac OSX Lion and Mountain Lion. If it does, they are lucky and this is not a guaranteed fact. We tested the updater for Alpha 77 using several Mac systems and there is a significant difference in the time taken for the Mac to recognise the camera if a 64-bit system is used. In one case, a MacBook Pro would not communicate reliably with the camera regardless of the cable used and the state of reboot/clean environment. If the updater program does not immediately communicate with the camera and access the memory storage (red light flashing for several seconds), do not risk doing the update. The correct state of communication between host computer and camera is very fast indeed, moving between the steps of the update with no delay. Only the actual ‘run’ process takes a few minutes, during which time a progress bar will move steadily. If you have difficulty getting the updater to complete step one do not keep retrying on the same machine. Please note that for Mac users, there will be ‘device removed’ pop-ups appearing which are not mentioned in the instructions. These can be dismissed without any risk.

 

2
Cameras (DSLR), Firmware Updates, News, NEX System

Hood-cap for NEX with 16mm

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At photokina 2012, the Taiwanese company Hoocap (www.hoocap.com) showed a neat device for many different lenses and cameras, still in development for a wider range. It’s a combined lens-hood and lens-cap, which can be pushed or pulled to seal off or use your lens. They have models for lenses such as the Nikon 24-70mm f/2.8 – but their neatest model is dedicated to the NEX 16mm f/2.8.

One of the best and most original lens designs ever made, reducing the number of elements to fewer than EVER used before for an 83° angle of view, while maintaining an exceptional standard of resolution and geometric projection – and anyone who claims otherwise either just doesn’t understand what makes a 24mm equivalent lens, has a bad example*, or doesn’t realise just how BAD a typical 24mm Nikkor, Rokkor or Canon is in comparison.

Rant over! *Sony’s QC has been less than flattering to the skills of their optical design team.

Now this is an efficient lens shade for video, and not all that bad for the majority of still images taken in horizontal, landscape composition mode. You can, of course, fit the 18-55mm lens hood to the 16mm lens and it does help prevent the very rare instance of lens flare from a design which is highly resistent to flare.

Unboxing, only they didn’t have a box, just a prototype plastic pack. It was disappointing how few firms at photokina were willing to give us samples of relatively small items. We did not have time to spare, just a day. Hoocap immediately understood what we were doing and offered a sample. They were the ONLY company to do so. In past years, we’ve come back with loads of small accessories and items to write about, but this 2012 photokina has been an impoverished one in more ways than just the lack of square metres of stands.

This is how the Hoocap closes. It does add some bulk to an otherwise tiny camera and lens. You pull the unit from the rear to open the hood. It tends to need two actions unless you are lucky enough to get the pulling action exactly at 90°. It does not risk accidental opening, or closing. The action is firm and positive and exerts no strain on the lens or camera.

In case you think we do not question product design, here’s fault no 1 – if you have the small flash fitted to a 3/5 series camera, it won’t stow down fully. But it does turn off. It simply impedes the closing action of the Hoocap. By the way – we tested the cap with a 49mm UV filter fitted to the camera. It allows space for this.

The second flaw connected with flash is this. Look at the geometry – without the Sony flash extender.

It’s not awful, but this f/16 test shows exactly the area of shadow the hood will cast for a typical party or group shot at home. You really need to remove the hood for flash shooting.

Much will depend on the price, but we like this product. It closes the camera off in a very fast action – clunk! – and opens it almost as quickly. It can also be used on the 18-55mm lens but it’s super-neat on the 16mm.

Don’t forget we have a new photo quarterly magazine – Cameracraft. Please support us by subscribing, Cameracraft directly finances the Photoclubalpha website.

– DK

 

 

7
Accessories - 3rd party, News, NEX System

Swedish NEX from Hasselblad

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Perhaps the strangest news from photokina, which I have not rushed to post here because I reckon every single website in the world will have treated it as urgent breaking unparalleled wonder – is that Sony and Hasselblad have signed a deal under which Hasselblad will make an APS-C (or perhaps full-frame NEX mount) mirrorless camera in Sweden.

Without any images other than a Hasselblad H logo to accompany the revelation, the world is left wondering what exactly Fujifilm has done wrong. A drawing of what might be an A-mount mopdel was shown at photokina but looks as if it could have been done by a teenager on the back of a school jotter; a prototype or mock-up NEX revision called the Lunar was little better. Clearly, Sony already announced its intention to allow approved partners to use the E-mount, and we can assume that the Hasselnex will come thus equipped. Carl Zeiss has announced a roadmap for E-mount lenses, and of course that would fit Hasselblad down to the ground. No need for a new lens range, their bodies (NEX-7/6 type?) would be sold with blueprinted Zeiss glass. Surely? Not just with relabelled Sony zooms?

And the bodies would be made in Sweden. That means less than you might assume, since all the internal component parts would presumably be sourced from Sony as a CKD kit. CKD is motor industry speak for ‘Completely Knocked Down’ – a car shipped as parts to a factory, to be assembled there. Hasselblad Sweden used once to be very good at assembling cameras, they recently moved all Danish production back to Gothenburg and re-established Swedish manufacture.

The BJP has been told the body would be aluminium. The NEX-7 is magnesium alloy. And the 7/6 body already looks really classy. The Lunar simply does not.

Image from the BJP

From the BJP report on this €5-6,000 version of the NEX-7 – click image to see their interview.

So, what of the H-series blads – made in Japan by Fuji, Hasselblad’s long-term partner in the H-range project?

And, when Hasselblad was quite willing to work with Rittreck/Norita/Fuji on rangefinder type cameras (the XPan was not their idea, it was a Rittreck/Norita concept) what has changed?

After all, Fuji’s XPro-1 and XF are staggeringly good cameras with a ridiculously ambitious and excellent range of lenses, not just superfast primes abut extending into popular zooms. They are built and styled to fit Hasselblad ambitions. Fuji optics have proved good enough for Hasselblad H.

Something has shifted. Maybe Hasselblad is no longer tied to Fujifilm and the announcement of manufacture returning to Gothenburg, made earlier this year, relates to a shift not from Denmark only but also from Japan. Perhaps Sony has demonstrated that superior medium-format size CMOS can be fabbed, saving costs for future generations of yet unimagined H-series bodies/backs where six 24 megapixel APS-C sensors will be stitched to create a 144 megapixel sensor measuring 47mm square!

Or perhaps Hasselblad realises that mirrorless need not mean hand-waved. They used to build waist-level cameras. How about a mirrorless waist-level, styled like a mini ‘blad and with the screen on top with a flip-up hood and magnifier?

Too much kölsch and imagination, I fear. But this certainly is strange news. A scoop for Sony – but exactly what for Hasselblad remains to be seen.

– DK

0
DK's ramblings, News, NEX System, Sony Digital Csmeras

A divided path for Sony

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Most Japanese camera companies have divisions, groups, and teams right down to the very last individual product. Even a single lens design may have its own small team, from R&D and design down to final assembly. What we are seeing happen in Sony right now is the result of complex competition and collaboration between several teams.

Take, for example, the new Sony 300mm f/2.8 G SSM II. You might assume this lens was mainly an Alpha division product from the former Minolta heritage, but in fact it’s been redesigned to work better with NEX and also with both consumer and professional HD video cameras from APS-C through Super-35 to full frame 35mm.

SLT/SLR system users gain with improvements like Nano AR coating (similar to new coatings introduced by Sigma, Nikon, Pentax and Canon), better MF control, and a better degree of weathersealing. It’s the complete update of the SSM motor (is it SSM II, or entire lens version II?) which provides compatibility with on-sensor PDAF and enhances CDAF, to offer the prospect of object-tracking AF during video. At £6,700 UK it needs to show major benefits to compete in the still field, but may have a market all to itself when fitted to the new NEX-VG900E full frame video camera.

It’s easy to think – ‘the first ever full frame video cam!’ but that is not the case. The Canon 5D MkII established the DSLR form as an acceptable professional video camera, and in the last three years a vast industry of shooting rigs, grips, follow focus devices, monitor screens and accessories has grown up all based on turning this video-unfriendly camera into something movie and TV crews are comfortable with.

Sony has implemented the sought-after 24 frames per second rate in all the new models just announced, not going for the European excuse of 25fps being close enough. This is to allow a so-called cinematic look, despite the fact that the movie industry has been trying to get away from 24fps just the same way as it threw off the shackles of 16 or 18fps many years before. Users want it, so they have at last provided it.

From the very start of reviewing HD capable cameras, we have emphasised the issues with audio – the *absolute* not optional need for audio fixed or adjustable manual gain control. I’ve done this for years in printed magazines. So has any other writer who ever had to use a camera with auto gain and nothing else. First Nikon (basic) then Canon (full control) and now Sony show they listened, if slowly and relunctantly, to something their own audio engineers would have told them was vital not a luxury.

End result – Sony enters the mainstream for HD video shooting with the Alpha and NEX systems.

The same technologies, in terms of sensor use and implementation of optical advances linked to Phase-Detection On Sensor (which I’ll call PDOS), now apply across the entire range of Sony digital imaging products from Handycam, through Cyber-Shot, through NEX, to Alpha. The Cyber-shot range is only missing an APS-C model.

What is particularly interesting is that this divided path is a parallel path now and not a divergent one. There’s no question of one straight and narrow path leading to heaven, one broad and easy road to hell, and winding ferny way to faery. Instead we get a four-lane highway joining Sony present to Sony future, with every option to change lane if you want to overtake.

Legacy and inheritance planning

Sony acquired a lot of old Minolta tech as a dowry in the 206 marriage to the Alpha system. Now having invested that legacy they have to make sure it still has value for future generations.

And example of what this really means can be found in the PDOS restrictions of the A99. The AF-D mode won’t work with some lenses, yet. For example – the 16mm f/2.8 fisheye, the 20mm f/2.8, the 16-35mm CZ f/2.8 zoom, any Konica Minolta zoom, any old Minolta AF system lens, the 35mm f/1.4, the 85mm f/1.4 CZ and G, the 135mm f/1.8 CZ and f/2.8 STF, the 200mm f/4 Apo G Macro, the 24-105mm D, any macro lens, the 400mm f/4.5, 600mm f/4, 200mm f/2.8 or the 300mm f/2.8 G SSM (pre-II). It is not even flagged as working with the 30mm f/2.8 SAM macro, 35mm f/1.8, 50mm f/1.8, 85mm f/1.8 or the 24mm f/2 Carl Zeiss SSM ZA. Or the 70-300mm G SSM, let alone the basic 75-300mm SAL.

It will only work with the 24-70mm f/2.8 CZ, the 28-75mm f/2.8 SAM, the 50mm f/1.4 current design, the 70-200mm f/2.8 SSM, the new 300mm f/2.8 G SSM II, 70-400mm f/4-5.6 G SSM and the new 500mm f/4 G SSM. Sony’s firmware requires that the user enter the focusing range involved. This is put forward as an advantage – making the system less likely to focus on a fence instead of the view through it – but in fact it’s an integral part of PDOS. Each of the 102 focus points spread across the sensor* is not a single pixel-pair, it’s a cluster of several pixel pairs tightly grouped. There may be the minimum of three differently pitched PDOS points per location, or perhaps more, to cope with the wide range of exit pupil conditions encountered when using Alpha-mount lenes.

For any one lens, the camera will need to know the broad focus range involved (hopefully the main PDAF array will normally provide this), the aperture at which focusing is taking place, and some further information about how the zoom or lens design influences the exit ray cone. From this, it will select the correct PDOS configuration and I think that for some lenses only a central zone will be active.

Sony states that firmware updates will add further lenses, but this technology only requires some relatively simple information based on the optical design. If they could have added more lenses from the start, they would have. Watch this space, because it may remain more of an empty space than you hope for.

* Sony imply that the PDOS area is large – actually it’s about 13mm square, within the APS-C zone, and does not extend towards the ends of the full frame much further than the cluster of regular PDAF points. These seem to be the same module as the A77, giving the A99 an AF ‘zone’ much smaller relative to its frame.

Zones and maps

The Alpha 99 also introduces something which almost has to happen if any of the above is going to work at all. Anti-aliasing filters do not have an even effect on sensors, especially full frame with wider angle lenses where the rear nodal point of the lens is relatively close. Geometry means that light passes through them at more of an angle towards the edges and corners, and there is therefore more distance between AA filter and sensor surface. With an AA filter having a single value diffraction-created diffusion of the image-forming light (aka blurring), the effect gets stronger as you move away from the centre (axis).

Since most lenses are also sharper in the centre and typical sensor microlenses are not ‘tuned’ from centre to edge, the overall result is to emphasise fall-off from centre to edge. Secondary results include a dramatic tendency for bright sources imaged in the extreme corners to have a strong, directional, surrounding glare. This is boosted by internal multiple reflection between the sensor surface and the inner face of the AA filter, especially if the incident rays are at 40° or less to the focal plane (where on-axis rays are described as being at 90°).

The best solution to this is the classic one – what Olympus called telecentric lens design, where you do your best to project the image on to the sensor from a relatively distant position keeping all rays, centre to edge, as close to 90° as possible. But that calls for new lens designs and also restricts the optical formulae, tending to produce much larger heavier lenses. It’s very practical on one-inch or smaller sensors, OK on MicroFourThirds, feasible for NEX but not much an option for a full-frame coverage.

So, Sony has introduced an AA filter which they describe as ‘multi-segment lo-pass’. It’s not one strength across the entire frame, but divided or graded to optimise performance towards the corners. At the same time, they have introduced a similar zoning to noise reduction, which we assume to mean the NR applies to the raw output before a raw file is saved. Combined with the usual sensor mapping, and lens profile based vignetting compensation, the overall effect of these refinements should be to:

  • Even out the apparent resolution and image acutance across the frame
  • Reduce the mapped peripheral gain effect, under which images appear to be noisier at the edges unless natural vignetting is allowed to be present
  • Remove artefacts such as corner streaking or softening, and fringes or flare from light sources towards the extremes

No doubt this is also combined with the detailed ‘repair’ function used to deal with PDOS. More on this later, as there’s an implication that the PDOS on the A99 is not the same as that on the NEX-5R or NEX-6, and may use a second layer of pixels leaving all 24.3 megapixels of the imaging layer untouched.

The area-specific NR is probably essential to achieve the high ISO range at 14-bit conversion, though it’s not unusual for cameras at this level which claim 14-bit conversion to have a variable true bit depth depending on ISO, image style and exposure conditions. We can assume that 14-bit will only be fully utilised under ideal conditions at ISO 100.

Exactly how Sony has managed to adjust AA values in ‘segments’ without visible transitions, we’ll have to find out. The same goes for NR.

The missing NEX-9

There is one camera absent from the September 12th launch – the 24 megapixel full frame NEX-9. The appearance of the HD video Handycam, NEX-VG900E, indicates that the model name for the full frame 24 megapixel NEX will be NEX-9. Images of the VG900 show it using an Alpha via the standard LA-EA2 adaptor, and we can be sure that this and not a special range of E-mount full frame lenses (almost pointless) will be how the NEX-9 takes A-mount glass.

In the meantime, the NEX-6 appears to be perfectly pitched in price, but see my comment below about GPS.

The missing GPS

While the A99 has GPS, we’re still left with no NEX model yet featuring GPS despite these being the ideal travel and walking companion. Nor is there a current SLT model with 16 megapixels and GPS, as the Alpha 55 replacement doesn’t have it and the ‘baby’ A77, the A65, is a 24 megapixel again. The Cyber-shot RX100 and RX1 models also don’t have GPS. Whether or not the new hot shoe will allow an add-on GPS remains to be seen.

The new 50mm f/1.4 SSM Carl Zeiss T* Planar

Whatever you think of Minolta glass, or new Sony glass, the Carl Zeiss name on a lens is a huge draw. Reactions to the otherwise rather pedestrian DSC-RX1 prove this. People will put up with being back in 1972 – the era of cameras like the Minolta Hi-Matics with fixed 40mm f/1.7 and similar Gauss design lenses of very high quality – if only it means getting rid of poor quality digital images. There was a time when you couldn’t sell a 50mm standard lens with a camera, and there was a time before that when every system was judged initially on the quality of its 50mm choices. We may be returning to that way of thinking.

Edit – at the 2006 launch of the Alpha 100, a 50mm f/1.4 CZ was briefly shown in Paul Genge’s presentation to UK/English language journalists. I did not report on this as none of the literature confirmed what we saw on the Powerpoint screen. I believe this lens has been planned for six years.

Flash

The new HVL-F60AM flash with rather weak video light and new hot shoe might seem an annoying departure, but remember, the A99 has no built-in flash and thus can not control wireless remotes without a commander. No HVL-F20AM style mini flash has been previewed, so the F60AM is the only commander. But your old flash will work fine off-camera controlled by your new one.

Parked on the hard shoulder

So, having looked at the four way road map for Sony, I must confess that I’m pulling into a rest area for a while. I did not sell my Alpha 900 or Alpha 77, and I’m glad I didn’t. Nor did I sell my 24mm f/2 even though it has been little used for a few months. It has been waiting for a 36 megapixel full-framer, which makes a 24mm a much better all-round lens because of the croppable image size.

I’m not one of those photographers obsessed by bokeh or the need to throw parts of my picture into extreme defocus. At 24 megapixels, APS-C is already seriously short of depth of field even at optimum apertures like f/9. I’m more likely to spend my money on a Samyang 24mm f/3.5 full frame tilt-shift lens to use with both the A900 and A77 than to invest in an A99. I have no use for a revised 300mm f/2.8, especially on full frame where it seems to me now to be a very conservative focal length, and though I’m sure a 50mm CZ will be wonderful I have no complaints about my Minolta-design Sony 50mm f/1.4. I do shoot video, but rarely in conditions which demand that I use full frame, and if Sony don’t put manual audio control into older models via a firmware fix, I’ll just buy a Canon 600D.

The price of the Alpha 99 is not as bad as people suggest, with UK stories launching it at £2082+VAT, or $3200. But I’ve got a very good quality pure still camera in the Alpha 900, with effectively noise-free imaging from ISO 100 to 320, excellent battery life and exactly the same maximum image size offered by the 99.

I think I’m in the market for the NEX-6 body but I do not care in the slightest about the WiFi aspect, or the downloadable apps. If the new remote control can actually trigger and end video shooting with the A77, NEX-5n (etc) I’ll definitely buy one. The RX1 is not for me either – had it been fitted with a 17mm, 20mm or even a conservative 24mm then it would have followed in the footsteps of the great wide-angle cameras I have worked with over the years from the Brooks Veriwide through the Plaubel 55W to Hasselblad SWC and Fujfilm G645SW. I would not even mind a separate optical finder for that, much; I was used to it!

Things we forget

The industry has put a huge effort into autofocus solutions ideal for interchangeable lenses and zooms, and apparently set aside the idea of external AF modules for good. With a fixed lens like the RX1, an AF module not working through the camera lens itself is a practical idea and could be far faster. We have also forgotten about those twin-lens compacts, with a switch to go from 35mm to 65mm (or whatever). Small sensor sizes, new lens design and ideas could make that concept work again.

The story of development for all types of camera is not over as there are old ideas to be revisited, and new ideas yet to come.

See B&H news on all the latest Sony stuff

– David Kilpatrick

1
Cameras (DSLR), DK's ramblings, HD Video, Lenses - Alpha Mount, NEX System, Sony Digital Csmeras

NEX-6 shown with 10-18mm f/4 OSS lens

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The NEX-6 compact system camera from Sony puts DSLR power in your pocket
 

  • DSLR-quality images and Full HD video, from newly-developed large 16.1 effective megapixel Exmor APS HD CMOS sensor plus high sensitivity up to ISO 25600
  • New Fast Hybrid AF for optimal fast and precise autofocus in any situation; DSLR-like AF tracking for shooting at up to 10 fps
  • High-resolution XGA OLED Tru-Finder™
  • Intuitive DSLR-style operation with dual dials and Quick Navi interface
  • Download new features through built-in Wi-Fi with PlayMemories Camera Apps TM , the world’s first application download service*
  • Built-in flash and new Multi Interface Shoe

Editor’s note: no picture of the camera with the new 16-50mm collapsible lens shows the lens in any useful position, or from an informative angle, only head-on, as issued by Sony this morning. The image above shows the new 10-18mm wide angle zoom, a 15-27mm equivalent, with a constant f/4 aperture and the welcome inclusion of optical image stabilisation.

* For interchangeable-lens digital cameras as of August 2012

Step up to an imaging experience that’s in a class of its own. The new NEX-6 compact system camera from Sony packs the imaging power, shooting responses, handling and operability of a DSLR into a pocket-sized mirrorless camera.

Partnered with the growing range of E-mount interchangeable lenses, the NEX-6 appeals to committed DSLR users who need to travel light without compromising picture quality. Offering big-sensor picture performance in a compact body, the new camera also makes an ideal option for step-up photographers looking to significantly expand their creative options.

The NEX-6 shares many imaging innovations with the newly-announced NEX-5R – from a responsive Fast Hybrid AF system to Wi-Fi connectivity and downloadable Camera Apps.

Crafted with discerning photographers in mind, the new camera also features the same precision electronic viewfinder and DSLR-style ergonomics found on the flagship NEX-7.

The large Exmor APS HD CMOS sensor inside the NEX-6 offers 16.1 effective megapixels for true DSLR-quality images and detail-packed Full HD video. It’s teamed with the powerful BIONZ image processor that ensures flawless, low-noise images – even when you’re shooting dimly-lit interiors at extended sensitivity settings up to ISO 25600.

Similar to the recently-announced NEX-5R, the NEX-6 features an innovative new Fast Hybrid AF system that combines phase- and contrast-detection autofocus methods to suit virtually any shooting situation. Phase-detection AF that quickly analyses subject distance is complemented by contrast-detection AF to confirm extremely fine focus. In Speed Priority mode, the NEX-5R switches automatically to pure phase-detection tracking AF. You’ll enjoy DSLR-like focusing responses when you’re capturing fast-moving action with high-speed burst shooting at up to 10 frames per second.

From launch, Fast Hybrid AF is supported with these lenses: E 18-55mm F3.5-5.6 OSS; E 55-210mm F4.5-6.3 OSS; E 18-200mm F3.5-6.3 OSS; E 24mm F1.8 ZA Sonnar T*; E PZ 16-50mm F3.5-5.6 OSS. Firmware upgrades will steadily expand the range of lenses offering Fast Hybrid AF support.

As with the NEX-7, the NEX-6 features an XGA OLED Tru-Finder™ for precision framing and focusing. This acclaimed electronic viewfinder gives a bright, detail-packed, high contrast view of still images and video, with 100% frame coverage and a wide field of view to rival pro-grade optical viewfinders. On-screen grid lines and a digital level gauge can be displayed to assist with accurate framing.

The OLED Tru-Finder™ is complemented by a 7.5 cm (3.0″) Xtra Fine LCD that can be angled up to 90° up or 45° down (approx.) for easy viewing in virtually any shooting position. The LCD screen assures superb detail and contrast with significantly reduced on-screen reflections, aiding composition when you’re shooting outdoors or in direct light.

Despite its compact body dimensions, the NEX-6 offers instantly reassuring operation for DSLR enthusiasts. A strategically-positioned mode dial on top of the camera allows quick setting of shooting modes – including P/A/S/M and Sweep Panorama – just as you’d expect on much larger interchangeable lens cameras. It’s joined by a control dial located under the mode dial, plus a separate control wheel on the camera back for fine adjustments of exposure, ISO, white balance and other settings.

Also inherited from high-end A-mount cameras by Sony, the pro-focused Quick Navi interface allows fingertip adjustment of settings without taking the viewfinder away from your eye.

Full HD movie shooting is enhanced with a new Auto Slow Shutter feature that adds extra sparkle to low-light clips. The NEX-6 detects dim interiors and night scenes, automatically switching to a slower shutter speed to brighten up your footage.

Shared with the NEX-5R, integrated Wi-Fi allows simple wireless photo and video transfers to various smartphones or tablets running the free PlayMemories Mobile app. Images can also be transferred wirelessly to a networked PC, or viewed wirelessly on any DLNA-compatible TV.

As also featured on the NEX-5R, PlayMemories Camera Apps expands the capabilities of the NEX-6 as your shooting needs evolve. Just connect the camera to your PC via Wi-Fi or USB. Then log in to your Sony Entertainment Network (SEN) account and explore the world’s first download service1 that lets you install new functions on demand. From launch, available apps include Picture Effect+; Bracket Pro; Multi-Frame NR; Smart Remote Control and Direct Upload. Sony also plans to introduce further apps such as Photo Retouch, followed by Time-Lapse and Cinematic Photo.

Alongside a handy pop-up flash, there’s a versatile new Multi Interface Shoe that’s capable of ‘intelligent’ linkage with various accessories.

New interchangeable lenses for E-mount cameras

The choice of interchangeable lenses for E-mount cameras by Sony grows with three additional models.

The SELP1650 is an extremely light, compact 16-50mm F3.5-5.6 powered zoom lens with Optical SteadyShot image stabilisation built-in for clearer handheld images. The lens body measures just 29.9mm when fully retracted, making the SELP1650 an ideal travel companion. There’s also a dual-function ring that controls both power zoom and manual focus, depending on operating mode. With the camera set to AF the control ring adjusts smooth, high-speed zoom with small hand movements. With the camera in MF mode, the ring controls manual focus. Smooth power zoom makes the lens particularly suitable for video shooting.

The SEL35F18 is a fast 35mm prime / fixed focal length lens with a bright maximum aperture of F1.8 and Optical SteadyShot built in. It offers excellent optical sharpness and clarity as well as bokeh effect– whether you’re shooting portraits, street scenes or Full HD video. Featuring a new exterior design, the lens is easy to handle and light to carry.

Adopting the super ED (Extra-low Dispersion) glass which reduces colour aberration, the SEL1018 is a super-wide angle zoom with a maximum aperture of F4 right across its 10-18mm range and Optical SteadyShot image stabilisation inside. Ideal for landscapes and interiors, it’s also capable of producing dramatic perspective effects at its widest setting.

New accessories for NEX-6

Crafted in genuine leather, the LCS-ELC6 Soft Carrying Case combines a stylish body case and lens jacket. Styled exclusively for the NEX-6, it’s suitable for use with the camera and attached SELP1650 or SEL16F28 lens. The camera’s LCD screen can be tilted even when body case is attached; tripod attachment is also possible with the case attached.

The LCS-EJA Soft Carrying Case can be used for all α E-mount cameras, and is ideal for use with the new SELP1650 or SEL16F28 lens attached. Internal pockets offer space to store the front lens cap and a spare memory card.

For further details of the full range of lenses and accessories, please visit: www.sony.co.uk/hub/nex-compact-camera-system/accessories

The new NEX-6 compact system camera with interchangeable lenses is available in the UK from mid-November 2012.
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News, NEX System, Sony Digital Csmeras

NEX-VG900E full frame HD video – full info

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Sony introduces first 35mm full-frame Handycam®
 
NEX-VG900E interchangeable lens Full HD camcorder
 

  • 24.3 effective megapixel Exmor full-frame CMOS sensor
  • Compatible with full-frame A-mount lenses via supplied adaptor (also compatible with growing range of E-mount lenses)
  • Full HD 50p/25p/24p progressive movie recording
  • Extensive manual controls and ‘seesaw’ zoom lever
  • Quad Capsule Spatial Array Microphone for high-quality stereo and 5.1ch sound
  • High contrast XGA OLED Tru-Finder
  • 7.5 cm (3.0”) XtraFine touch panel LCD

Video makers can embrace the limitless expressive power of full-frame imaging with the new Handycam® NEX-VG900E E-mount interchangeable lens Full HD camcorder from Sony.

It’s joined by the Handycam® NEX-VG30E that builds on the success of the NEX-VG20E, sharing the same APS-C image sensor as its predecessor while adding several enhancements.

Handycam® NEX-VG900E

Offering supreme imaging quality and generous creative options, it’s the first Handycam® with a 35mm sensor to fully exploit the artistic potential of interchangeable lenses by Sony and Carl Zeiss.

With a resolution of 24.3 effective megapixels, the Sony-developed Exmor CMOS sensor inside the NEX-VG900E is around 40 times larger than the equivalent in ordinary consumer camcorders. It’s also more than twice the size of the APS-C sized sensor found in other interchangeable lens Handycam® models.

As well as permitting beautiful ‘bokeh’ (defocus) effects with the growing range of α lenses, its high sensitivity assures extremely clear, low-noise images. The large sensor size assures effortless reproduction of the finest tonal gradations, helping the most demanding cinematographer fully realise their creative vision.

The sensor also allows the NEX-VG900E to shoot full-frame 24.0 effective megapixel still photos, with all the quality you’d expect from a pro-class DSLR camera. Still images can be shot in RAW format for total post-processing freedom.

Beautiful, film-like results can be achieved by shooting video in 25p/24p progressive mode, with Cinema Tone Gamma™ and Cinema Tone Colour™ offering precise control over cinematic colour grading effects. AVCHD version 2.0 standard 50p recording is additionally supported, maximising the range of creative options for movie-makers to explore. Even greater flexibility is provided by a choice of new Picture Effect modes, enabling easy creation of artistic ‘in-camera’ treatments whether you’re shooting HD video or stills.

Video shooting is further enhanced by a ‘seesaw’ lever that allows smooth, polished electronic zoom control. The lever adjusts optical zoom when using compatible E-mount lenses that feature built-in zoom drive. The lever controls electronic zoom when using the camcorder with fixed focal lenses for impressive creative results.

As an extra refinement, the NEX-VG900E switches automatically from full-frame operation to APS-C mode when an E-mount or A-mount DT lens is attached. This allows users to get the most out of their collection of DT lenses that are optimised for cameras with a smaller APS-C image sensor.

The camcorder also comes supplied with the LA-EA3 adaptor that lets photographers use full-frame A-mount DSLR lenses at their designated focal length.

There’s a generous palette of control options and manual settings to satisfy the demanding video enthusiast. Aperture priority, shutter speed priority or manual exposure, are all selectable and white balance can be adjusted manually to suit the demands of any scene. Iris, shutter speed, and gain adjustments can be easily made via logically-positioned direct access keys. Accurate manual focusing is assisted by the camcorder’s pro-style display peaking function, complemented by a one-touch focus magnification button on the top of the grip.

Serious videographers will welcome the detail-packed XGA OLED Tru-Finder that offers high-contrast image monitoring with superbly natural colour rendition. Complementing the Tru-Finder, there’s an adjustable XtraFine touch-panel LCD monitor, with Sony’s unique technology for high contrast images with rich, deep blacks.

High-quality audio is a crucial part of the HD video experience with the NEX-VG900E. A unique Quad Capsule Spatial Array Microphone features four omnidirectional capsules that can be switched for stereo or 5.1ch surround recording. Recording levels are adjustable, with accurate visual confirmation provided by an audio level meter on the LCD display. There’s also a headphone jack for direct monitoring of sounds being recorded.

The new Multi Interface Shoe provides compatibility with accessories including the optional XLR-K1M adaptor kit that adds a high-quality mono shotgun mic and pro-standard XLR connections.

Handycam® NEX-VG30EH/VG30E

Sharing many of the pro-oriented enhancements of the NEX-VG900E, the Handycam® NEX-VG30E succeeds the acclaimed NEX-VG20E. With a resolution of 16.1 effective megapixels, the new camcorder’s Exmor™ APS HD CMOS sensor assures outstanding image quality with the range of interchangeable E-mount lenses.

Like the NEX-VG900E, it’s possible to shoot smooth, cinematic Full HD video footage at either 50p, 25p or 24p (progressive) frame rates, supported by a palette of artistic Picture Effect modes.

The NEX-VG30E also features the same XGA OLED Tru-Finder, comprehensive manual controls and ‘seesaw’ style zoom lever as the NEX-VG900E.

The NEX-VG30EH comes supplied as a kit with the new E PZ (Power Zoom) 18-200mm F3.5-6.3 OSS (Optical SteadyShot) lens that provides a versatile range from wide angle to telephoto. Offering smooth, quiet AF operation and Optical SteadyShot image stabilisation, the lens also features an additional ‘seesaw’ lever on the barrel for smooth, professional-style zoom control with adjustable speeds.

The Handycam® NEX-VG900E and NEX-VG30E camcorders from Sony are available in the UK from November and December respectively.
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HD Video, Lenses - Alpha Mount, News, NEX System

Sony collapsible pancake zoom specs

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The Sony NEX system collapsible zoom will be an f/3.5-5.6 design focusing to 0.3m if specifications accidentally included with the information on the NEX-5R are accurate. And it will be a power zoom, we think.

The Sony.com info includes in the camera specification this line:

“AF Illuminator : Built-in, LED type (with a range of approx. 0.3-3.0m (with E PZ16-50mm F3.5-5.6 OSS attached))”

This is not the existing 18-55mm OSS lens shown on the camera product shots, or included in the list of compatible lenses. The clue is in the name, E PZ instead of just E or SEL. The 50mm could easily be a typo, but combined with the different focus range (down to 30cm instead of the 25cm minimum) we think this reference is definitely to a new compact, collapsing 16-50mm f/3.5-5.6 power zoom.

Those who are hoping for an f/2.8 might indeed get one of a different type,  but this specification looks competitive as a replacement for the 18-55mm, and not unlike the Olympus/Panasonic Micro FourThirds 14-42mm collapsible power zooms.

All the stocks of the NEX-5R currently being offered, and all the samples apparently previewed by the press, have been fitted with the old (existing) 18-55mm OSS lens.

Here is the page on which you will find, under the specs for the AF illuminator only, the reference to the previously unannounced E PZ lens model:

http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=8198552921666484205#specifications

Here is a page listing all the current compatible lenses (expand to view 10):

http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=8198552921666484205#compatability

It is worth noting that the Phase Detect PDAF system of the NEX-5R could reduce the true resolution of the central focus zone by as much as 20% locally (vertical) and raw image interpolation will restore the integrity of the images despite 99 focus points, each one of which uses three different sensel-based phase detect pixel pairs to cope with the range of exit pupil positions found on different lenses. Since the outer zone of any image is usually slightly lower resolution than the centre, the effect will be to make the NEX-5R more even in sharpness/resolution across the frame but lacking the very sharp centre zone normally found.

Added: we calculate that the PDAF uses 594 single pixels at the minimum based on three pixel pairs (one for each of three exit pupil positions) per AF point.

Effective PDAF depends on the camera knowing the actual design of the lens, because the focus distance and the rear exit pupil (rear nodal point and exit pupil diameter) are both needed for the camera to switch seamlessly to the correct pitch of on-sensor PDAF points. On-sensor PDAF is a bit like the old microprism or split image screens, it depends on a relative darkening of one side or the other of a pair of pixels as focus is changed. It works best close to the lens axis and over a specific range of apertures.

New lenses can be designed to be highly efficient with on-sensor PDAF. On-sensor PDAF has probably been designed to be usable with older lenses. What you probably can not expect from the 5R, or other on-sensor PDAF models, is reliable PDAF using SSM or SAM Alpha lenses on an LA-EA1 adaptor. It may be that it won’t work at all with some Alpha lenses even if they function with contrast detect focusing (and will still use that on the 5R).

– DK

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NEX System

Sony technology statement – new stuff all round

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Whether you like it or not – and some aspects are going to be useful – Sony is rolling out a whole new generation of gear including advances in digital imaging. This is a long statement made at a press conference. It would take a long time to edit it, so here’s their text in full.

Sony Accelerates Revitalisation of Electronics Business by Enhancing User Experiences with New Product Offensive
 
Sony Corporation’s President and Chief Executive Officer Kazuo Hirai unveils an array of Xperia smartphones, a new Xperia-branded Tablet, VAIO PC, Wi-Fi camera, NFC-enabled audio devices, new applications, new musical partnership, a Book of Spells and a showstopping 84-inch BRAVIA 4KTV at IFA 2012
 
 
Sony Corporation (“Sony”) today unveiled a portfolio of advanced next-generation products which will help accelerate the revitalisation of the electronics business.

Kazuo Hirai, Sony Corporation’s new President and Chief Executive Officer, speaking at Sony Europe’s press conference at the IFA electronics show in Berlin, launched a range of compelling products – each emphasising Sony’s stated strategic focus on Mobile, Digital Imaging and Gaming.

“This is an extraordinary company going through extraordinary times. It forces us to confront difficult realities and make hard business decisions. We must look at ourselves honestly and hold true to the values and purpose of Sony. I am determined to do this with a laser-like focus, speed and execution,” said Hirai. “The products I unveil today will show Sony’s long-standing ambition to deliver what customers value – a simpler, easier, more entertaining and user-friendly experience.”

The range of new products announced in Berlin includes three new Xperia smartphones – one featured in the forthcoming James Bond movie ‘Skyfall’ – a new splash proof Tablet, a new hybrid slate/laptop VAIO PC, a new NEX camera with built in Wi-Fi enabling feature-adds post purchase, and enhanced NFC enabled headphones and audio devices.

Sony also unveiled a stunning 84-inch BRAVIA 4K TV, promising a totally immersive experience and building on Sony’s acknowledged professional expertise in 4K with acclaimed broadcast camera the CineAlta F65 and 4K cinema projection system.

Hirai vowed that each product would reflect the ‘One Sony’ ambition, the organisation’s drive to deliver technically-advanced products and compelling consumer experiences through greater synergies across all Sony’s businesses from electronics to games, movies and music.

“As “One Sony” we are joined together by a single vision, which I define with one particular Japanese word – Kando. It means to move people emotionally. Sony will bring a smile to the faces of a global audience” said Hirai.

MOBILE

Mobile devices are the gateway to Sony’s user experience. Adding to our acclaimed Xperia smartphones for providing premium entertainment experiences, Sony Tablets will be brought to market under the Xperia brand as of September 2012 to expand these great mobile experiences to the tablet arena.

The latest Sony mobile devices, including Xperia smartphones, Tablets and VAIO PCs, will boast Sony’s media applications, with the new interface designed to enhance the user experience in high picture and sound quality. It will enable users to enjoy and share music, photos, and movies in a simple and intuitive way. These features will be available across new Xperia smartphones, Xperia Tablet and selected VAIO PCs.

Furthermore, the new Xperia smartphones and VAIO PCs promise to bring consumers the ultimate cross-device connectivity. Through Sony’s One Touch function, which incorporates NFC (Near Field Communication) technology, users can easily and instantly enjoy their music and photos across an array of NFC enabled Sony devices by simply touching one device to the other without the need for Bluetooth or Wi-Fi set-up.

Introducing the new products, Hirai added: “Individual Sony products will entice and inspire people. But what’s also important is that by connecting and combining hardware, network services and applications, we will provide a truly remarkable and compelling experience.”

DIGITAL IMAGING

Sony’s mobile products are pioneering new ways to capture great digital pictures, whilst delivering an enhanced user experience through further, deeper convergence of hardware, content and services. The new NEX-5R model is the latest Digital Imaging product to deliver enhanced usability.

The NEX-5R compact system camera – with built in Wi-Fi – allows users to check the image, adjust camera exposure and control the shutter wirelessly from their smartphone. This makes it ideal for taking posed family pictures via the timer, where the image can be checked on the smartphone before the pose is broken. It also boasts “Fast Hybrid AF” giving DSLR-like focussing responses when capturing fast-moving action.

The NEX-5R is the first camera compatible with PlayMemories Camera Apps, a service for downloading new apps such as “Time-Lapse” and “Cinematic Photo” directly to the Wi-Fi enabled camera.

Sony is also introducing the new ‘wearable’ video camera, the HDR-AS15 with ‘ExmorR’ CMOS Image Sensor and SteadyShot image, great for skydiving or mountain biking.

GAMING

This autumn, Sony Computer Entertainment is due to launch Wonderbook, creating a multi-dimensional world using PlayStation Eye and augmented reality technology. It’s an experience like nothing else. The first Wonderbook title will be Wonderbook: Book of Spells, created in collaboration with J.K Rowling.

IN DETAIL

Detailing the product offensive at IFA, the Sony President and CEO highlighted the following innovations:

Xperia Smartphones

The integration of Sony Mobile Communications earlier this year was an important step for Sony. The company launched the first Sony smartphones to market earlier this year – the Xperia NXT (NEXT) series.

The next introduction is the Xperia T, Xperia V and Xperia J, building on the acclaimed arc design. They will be brought to the market over the next few months.

Xperia T is the new global flagship model that delivers the best high definition experience in a smartphone to date. It has a 4.6inch display powered by Sony’s Mobile BRAVIA Engine. Consumers can watch videos shot in Full 1080-pixel HD. The 13 mega-pixel fast-capture camera goes from sleep to snap in an instant with a single key press. The most amazing feature is how easily consumers can connect Xperia T to other devices to enjoy their content – with just one touch.

Xperia V is LTE enabled for super-fast network performance. It also comes with the highest level of water resistance in a smartphone, so users can continue using their Xperia V, come rain or come sunshine.

Xperia J is an eye-catching combination of stylish design and a stand-out screen size at a competitive price point.

Xperia Tablet S

The new Xperia Tablet combines a splash-proof body with high quality sound and a thinner, lighter design than its predecessor. It also offers a new app called ‘Socialife’ which enables users to enjoy SNS and news feeds in one viewer with a magazine-like layout. Together with new covers, stands and dock speaker, it is a communications device that will bring new style and fun into your life and appeal to customers of all ages and lifestyles. Running a NVIDIA® Tegra® 3 quad-core processor and Android 4.0.3 platform, it’s got all the power consumers will need to enjoy their favourite media, apps and games.

VAIO™ Duo 11

VAIO Duo 11 is a unique, Surf-Slider design hybrid PC which allows smooth sliding between slate mode and keyboard mode, ideal for being on the move. It features a thin, compact body with high performance, and a sophisticated stylus for the easy capture of handwritten digital notes, maximising the touch capability of Windows 8.

VAIO™ Tap 20

VAIO Tap 20, designed to leverage Windows 8, is a 20-inch, tabletop PC which tilts from desktop to lay-flat style. It can be a conventional desk top PC for personal use or a multi-media device – if used flat – for family use, for everything from playing board games to music editing or reading.

Audio Visual: ‘One Sony’ brings professional know-how and greater connectivity to consumer experiences

TV has always been part of Sony’s DNA, a symbol of constant innovation. It is the one product that still connects family and friends through shared experiences, more than any other.

Sony’s first 84-inch BRAVIA 4KTV

The new Sony 84-inch BRAVIA 4KTV boasts a 4K (3840 x 2160) LCD panel in the industry’s largest inch class (*1) and incorporates Sony’s ‘4K X-Reality PRO’ super-resolution high picture quality engine, meaning users will be able to reproduce a variety of content – including movies, TV programs, photos and games – to beautiful 4K picture quality ready to enjoy on the stunning 84-inch screen. This formidable combination seamlessly delivers a high-resolution large-screen picture with high-quality powerful sound to provide consumers with an immersive experience, unlike anything offered by existing televisions. The new BRAVIA 4K TV will be available worldwide, from the end of 2012.

*1: As of August 29, 2012.

Sony continues to take a lead role in advancing 4K technologies and is playing a leading role in professional 4K content creation through the CineAlta ‘F65’ camera, capable of shooting 4K content and beloved by leading film makers, and also the 4K digital cinema system used in the professional field. In the world of consumer electronics, the 4K home theatre projector for family use has been extremely well received since its launch last year.

The launch of the 84-inch 4K BRAVIA TV demonstrates the new and exciting consumer home-experiences made possible through professional technologies, advanced through the company’s ‘One Sony’ approach to hardware and content innovation.

HMZ-T2 Personal 3D Viewer

Lighter and more comfortable than its predecessor, the all-new Personal 3D Viewer from Sony is a head-mounted, High Definition 2D and 3D personal display with virtual 5.1 surround sound. It’s perfect for movies and gaming, with twin OLED screens that display vivid, super-sharp images (with zero cross-talk interference) to absorb consumers in a truly personal experience.

MDR-1 headphones

The new MDR-1 headphones are the result of collaboration between Sony Music artists and Sony engineers to deliver sound quality that accurately reproduces the original intentions of the musicians. The MDR-1 RBT is NFC enabled, and carries Sony’s One-touch function making it easy to share music across a range of NFC enabled devices by instantly setting up a wireless connection between devices, with just one touch. There is no need for any Bluetooth or Wi-Fi set up. 

SRS-BTM8 wireless NFC Bluetooth speaker

The SRS-BTM8 portable NFC Bluetooth wireless speaker from Sony lets you enjoy music from your smartphone or tablet in high quality audio, anywhere in the house. With its built in One-touch function from Sony, with just one touch to the top of the speaker with any NFC-enabled Xperia smartphone – including Xperia T and Xperia V smartphones from Sony – music will be streamed instantly. There is no need for Bluetooth set-up.

Partnership with Berliner Philharmoniker and Berlin Phil Media

Sony has extended its partnership with the world renowned Berliner Philharmoniker, and Berlin Phil Media, which offers the “Digital Concert Hall” streaming service. For the past two years, Sony has video-streamed Berliner Philharmoniker’s musical performances for customers worldwide to enjoy on Sony’s home entertainment products. Under this new partnership, Sony will also supply professional products, which incorporate its key technologies, whilst also providing technical support for the creation and streaming of Berliner Philharmoniker content through the service. This partnership will further enhance collaboration and innovation around audio development, and produce feedback which will be invaluable for Sony.

Sony HDR-AS15 action-cam

Ideal for sports lovers, the HDR-AS15 is a new type of camera; a ‘wearable’ video camera. It features Sony’s SteadyShot image stabilisation technology to deliver stunningly smooth footage which is ideal for filming sports scenes such as sky diving, mountain biking or snowboarding.

Equipped with built-in Wi-Fi, consumers can remotely control this video camera from smartphones and upload the recorded data online immediately. It also features a 170° wide angle Carl Zeiss lens.

List of all products and services launched at IFA 2012 for the UK market

 

  • BRAVIA 84” 4K TV
  • Head Mounted Display HMZ-T2
  • AV Receiver STR-DA5800ES
  • Speaker System SS-NA2ES, SS-NA5ES, SS-NA8ES, SA-NA9ES
  • VPL-HW50ES Home Cinema 3D projector
  • Wireless NFC Bluetooth speaker SRS-BTM8, SRS-BTV5
  • Headphones MDR-1 (MDR-1R/1RBT/1RNC)
  • NEX-5R – Wi-Fi enabled camera
  • Action Cam HDR-AS15– personal camera
  • PlayMemories Series (new Camera Apps functionality)
  • Xperia Splash/Water-proof Smartphone
  • Xperia Tablet S
  • Music Unlimited – New Subscription Tier, “Access” for PCs and PlayStation(R)3
  • VAIO™ Duo 11 (Slider hybrid PC)
  • VAIO™ Tap 20 (Tabletop PC)
  • VAIO touch range (VAIO™ Duo 11, VAIO™ Tap 20, VAIO T Series 13, VAIO L Series)
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Events, News, NEX System, Sony Digital Csmeras

New NEX models – downloadable apps for camdroids!

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The age of the camdroid is upon us! Sony has, as expected, announced a platform to flog unsuspecting owners small programs which are not even big enough to get the name of applet and are reduced to mere apps. Owners will be able to download new stuff to use the hugely powerful processors inside the new generation of WiFi equipped, net-browsing, smartphone friendly digital cameras.

The rear view of the new generation of Sony DSC (Digital Still Chimera) showing the PMCA App_store – well that’s how the picture is named, but we suspect that if Sony uses terms like ‘app’ and ‘store’ together the world’s most cash-bloated corporation will come in hot pursuit. Expect battle lines to be drawn up somewhere between San Diego and San Francisco. They could meet in LA to fight it out. The photo above is made using an app which applies orange fake tan to any hands shown holding a camera.

Here’s the press info from today’s conference:

More ways to enjoy the memories
 
PlayMemories family of apps and services from Sony gains exciting new features
PlayMemories from Sony keeps growing with a series of exciting new possibilities to enhance your digital imaging experience, before and after shooting.

PlayMemories is an easy-to-use family of services and applications that lets you enjoy photo and video memories across multiple devices – from cameras, smartphones and tablets to PlayStation®3 and compatible BRAVIA TVs.

PlayMemories Camera Apps

PlayMemories Camera Apps is the world’s first application download service（for interchangeable-lens digital cameras as of August 2012）that lets you install new functions on demand to boost the capabilities of your camera.

PlayMemories Camera Apps offers a variety of applications that expand camera functionality, personalising your photographic experience and enhancing your network connectivity. Just download the applications onto your camera and start enjoying even richer photographic expression.

PlayMemories Camera Apps is initially supported by the new NEX-5R interchangeable lens compact system camera. From launch, there’s a range of imaging apps to broaden your creative options and utilities.

“Picture Effect+” expands the range of artistic treatments available in the camera’s standard Picture Effect mode. “Bracket Pro” automatically shoots a rapid burst of three images at different ‘bracketed’ settings – for shutter speed, aperture or focus – allowing you to choose the best shot. “Multi Frame NR” captures a series of images in rapid succession. They are automatically superimposed by the camera to create one low-noise photo at the selected ISO speed. It’s ideal for capturing atmospheric night-time scenes, or shooting in dark conditions without using flash.

“Photo Retouch” adds a generous palette of adjustments like brightness, saturation and contrast plus Soft Skin, re-size and other post-shooting effects. Also available is the Auto Portrait Framing feature which detects the faces in images captured and intelligently applies the recommended composition afterwards.

Sony also plans to introduce more new apps, including “Time-lapse” and “Cinematic Photo”. “Time-lapse” automatically captures a series of still pictures at adjustable intervals. These images are automatically combined by the camera, and can be replayed like a video clip. “Cinematic Photo” captures a series of frames, creating fun animated picture effects where part of a static image appears to move.

Downloadable utilities include “Smart Remote Control”: remotely check the image on screen, adjust exposure and release the shutter of the NEX-5R with your smartphone1 or tablet (such as the Xperia™ Smartphone and Xperia™ Tablet). Captured pictures are also sent automatically to your smartphone or tablet. “Direct Upload” lets you upload images directly from the camera to PlayMemories Online and Facebook.

New PlayMemories Camera Apps will be initially available in the UK from October 2012.

PlayMemories Online

From this August, Sony’s compatible BRAVIA TVs will become able to view photos and video posted on PlayMemories Online directly, broadening the width of devices capable of enjoying the service.

PlayMemories Mobile

This Android/iOS app simplifies video and photo transfers to smartphones or tablet devices from the Wi-Fi enabled cameras such as the NEX-5R compact system camera. As detailed above, the app now lets you remotely control the NEX-5R and the HDR-AS15 Action Cam using your smartphone: it’s great for family group shots where you want to be in the picture, too. (“Smart Remote Control” app needs to be installed to the NEX-5R to use this feature.)

PlayMemories Studio

PlayMemories Studio makes organising, editing and viewing videos and photos on your PlayStation®3as easy and intuitive as playing a game.

PlayMemories Studio2 evolves with the brand-new ability to output images on Sony’s 4K TVs. 4K displays contain around four times more detail than Full HD. You can enjoy high resolution images taken by current digital cameras on Sony’s new 4K-enabled BRAVIA KD-84X9005.

Other enhancements include easy content uploads to YouTube and PlayMemories Online.

For further information on PlayMemories Camera apps, please visit: www.sony.net/pmca

1 Requires download and installation of PlayMemories Mobile™ app on Android smartphones and tablets as well as iPhone and iPad.

2 Available starting during current fiscal year ending March 2013.
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News, NEX System

October sale date for NEX-5R

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Sony has released information about the NEX-5R, which goes on sale in October. Most of this was already known beforehand, we think there’s a press conference happening in Iceland, but it’s cold enough here so photoclubalpha is not upset to be missed off the roster. And that may just be a myth.

Sony text:

More imaging power, less to carry
 
NEX-5R compact system camera from Sony debuts “Fast Hybrid AF”, Wi-Fi and PlayMemories Camera Apps
  • DLSR-quality images and Full HD video from newly-developed, large 16.1 effective megapixel APS-C image sensor
  • New Fast Hybrid AF for fast and precise autofocus in any situation; DSLR-like AF tracking for shooting at up to 10 fps
  • Download new features through built-in Wi-Fi with PlayMemories Camera Apps TM , the world’s first application download service*
  • 180° tiltable LCD touchscreen for self-portraits with ultra- compact body

 

Serious picture performance, style and portability are blended beautifully in new NEX-5R compact system camera from Sony.

Combining big-sensor image quality with the freedom of interchangeable lenses, the hybrid mirrorless camera offers all the benefits of DSLR-style imaging with less to carry. A power-packed step-up from your point-and-shoot compact, it’s also a perfect second camera for photo enthusiasts who won’t compromise on image quality or control when they’re travelling light.

With a resolution of 16.1 effective megapixels, the DSLR-sized sensor assures richly detailed still photos and crisp Full HD video. It’s teamed with the powerful BIONZ image processor that ensures flawless, low-noise images – even when you’re shooting dimly-lit interiors at sensitivity settings up to ISO 25600.

In a first for interchangeable lens cameras by Sony, Fast Hybrid AF combines phase- and contrast-detection autofocus methods to suit the demands of any shooting situation. First, phase-detection AF quickly detects subject distance; then contrast-detection activates to confirm extremely fine, precise focus.

In Speed Priority Continuous mode, the NEX-5R switches automatically to phase detection tracking AF. You’ll enjoy DSLR-like focusing responses when you’re capturing fast-moving action with high-speed burst shooting at up to 10 frames per second.

From launch, Fast Hybrid AF is supported with these lenses: E 18-55mm F3.5-5.6 OSS; E 55-210mm F4-6.3 OSS; E 18-200mm F3.5-6.3 OSS; E 24mm F1.8ZA Sonnar T*. Firmware upgrades will steadily expand the range of lenses offering Fast Hybrid AF support.

Framing, adjusting, shooting and viewing images is a pleasure on the intuitive touch-screen LCD. It’s complemented by a fully-featured control dial and function button: a versatile combination for any photographer who’s accustomed to the flexibility of their DSLR camera. There’s also a new touch shutter function that makes it easier than ever to pick your perfect moment.

The clear, bright touchscreen flips through 180 degrees for easy arm’s length self-portraits. Enthusiasts will also welcome the switchable on-screen digital level gauge that helps keep horizons level with landscapes and architectural shots.

Full HD movie shooting has also been enhanced with a new Auto Slow Shutter feature that adds extra sparkle to low-light clips. The camera detects dim interiors ­­and night scenes, automatically switching to a slower shutter speed to brighten up your footage.

The NEX-5R is the first α interchangeable-lens digital cameras by Sony with integrated Wi-Fi capabilities for easy image sharing, saving and viewing. Photos and videos can be transferred wirelessly to any smartphone or tablet that’s running the free PlayMemories Mobile app.

Alternatively, transfer all those memories directly to a networked PC, simplifying image back-ups without having to fiddle with memory cards or connecting cables. Photos stored on the NEX-5R can also be enjoyed directly on any DLNA-compatible TV, with no HDMI cable needed. Share via your wireless access point, or bypass your router and send pictures straight from the camera to TVs supporting Wi-Fi Direct.

The NEX-5R even lets you upgrade the camera’s capabilities any time to suit your shooting needs. Brand-new PlayMemories Camera Apps is the world’s first downloadable service1 that lets you install new functions on demand. You just need to connect the camera to your PC via USB or directly over Wi-Fi to do this.

From launch, available apps include “Picture Effect+”; “Bracket Pro”; “Multi Frame NR”; “Photo Retouch”; “Smart Remote Control” and “Direct Upload”. Sony plans to provide more new apps, such as “Time-lapse” and ”Cinematic Photo” in the near future.

New accessories include the slim style Soft Carrying Case LCS-SL10 – which is the ideal camera bag to carry your spare lens and accessories for casual outdoor use – and the Screen Protect Semi Hard Sheet PCK-LM13 with anti-fingerprint coating to beautifully protect your LCD screen. For further details of the full range of lenses and accessories, please visit: www.sony.co.uk/nex

The new NEX-5R compact system camera from Sony is available in the UK from mid-October 2012.

– ends –

* For interchangeable-lens digital cameras as of August 2012

Key specifications

Features NEX-5R
Type Digital compact system camera with interchangeable lenses
Lens Compatibility E-mount lens system. Can also use A-mount lenses with optional adaptor (continuous AF supported with LA-EA2)
Image Sensor APS-C type (23.5 x15.6 mm) Exmor™ APS HD CMOS sensor with 16.1 effective megapixels
Processor BIONZ™ image processor
ISO Sensitivity Range ISO 100 – 25600 (still images)
HD movie record Full HD AVCHD Ver. 2.0 compliant / MPEG-4 AVC (H.264); MP4;up to 1920 x 1080 50p
LCD 7.5cm (3″) wide type TFT (Xtra Fine LCD) with 921k dot resolution; tilts upwards approx. 180 degrees, downwards approx. 50 degrees; pressure-sensitive touch panel
Digital Zoom Clear Image Zoom: approx. 2x (still images)Smart Zoom: approx. 1.4x/2x (still images)

Digital Zoom: approx. 4x (still images / movies)
SteadyShot™ INSIDE (Optical image stabilisation available with selected E-mount lenses)
Autofocus System Fast Hybrid AF (phase-detection AF/contrast-detection AF); 99 focus points (phase-detection AF) / 25 focus points (contrast-detection AF);Object Tracking AF
Picture Effect 11 types (15 variations): Posterization (Colour, B/W), Pop Colour, Retro Photo, Partial Colour (R,G,B,Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature
Continuous Burst Shooting Up to 10 frames per second (in Speed Priority mode)
Battery life (still images) Approx. 330 shots (CIPA measurement)
External flash (supplied) GN7 (in metres at ISO 100)
Other features Auto Portrait Framing and Self-Portrait; Face Detection and Smile Shutter; Superior AUTO; Sweep Panorama (2D); Auto HDR; DRO; Hand-held Twilight mode; Creative Styles; Photo Creativity interface; ; Wi-Fi; USB Charge; PlayMemories Camera Apps
Media Memory Stick PRO Duo / Memory Stick PRO-HG Duo; SD / SDHC / SDXC
Dimensions (W x H x D) Approx. 110.8 mm × 58.8 mm × 38.9 mm (excluding protrusions)
Weight Approx. 218g (body only)Approx. 276g (with battery and Memory Stick PRO Duo)
Supplied software PlayMemories Home
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