ACR 6.2 and LR 3.2 RC released – for NEX

Adobe has announced the Lightroom 3.2 and Camera Raw 6.2 Release Candidates, available for immediate download on Adobe Labs. The updates extend raw file support to 12 new popular camera models including the Sony NEX-3 and NEX-5, Alpha 290 and 390; improve on several of the lens correction profiles introduced as part of the Lightroom 3 and Camera Raw 6.1 releases; and add over 50 new lens profiles to help photographers automatically correct for undesirable distortion and aberration effects.
But they let Sony down in a big way by only including the 18-55mm OSS lens for NEX, omitting the 16mm which must be very simple to profile (after all folks, there are only TWO officially available lenses for NEX right now – you found time to profile no fewer than 15 lenses for the Pentax AF645, for the benefit of all two dozen worldwide users of this outstandingly popular digital option…)
For ACR 3.2 Release Candidate download –
For LR 3.2 Release Candidate download –
In addition, the Lightroom 3.2 Release Candidate now allows Lightroom 3 customers the ability to publish their photos directly to Facebook from within the application, and addresses issues reported by customers on the Lightroom 3.0 release. Adobe continues to encourage the community to provide feedback on the updates so it can ensure the highest quality experience for customers working on a variety of hardware and software configurations.
Pricing and Availability
The Lightroom 3.2 Release Candidate is available as a free download for Lightroom 3 customers, and the Photoshop Camera Raw 6.2 Release Candidate is available as a free download for Photoshop CS5 customers. For more information and to test out the updates visit Feedback can be provided on the Adobe User to User forum at
*Please visit the Lightroom Journal for more information on these Release Candidates and a full list of the improved and newly added lens profiles:
Newly Supported Camera Models
Panasonic DMC-FZ100, Panasonic DMC-FZ40 (FZ45), Panasonic DMC-LX5, Pentax 645D, Samsung NX10, Samsung TL500 (EX1), Sony A290, Sony A390, Sony Alpha NEX-3, Sony Alpha NEX-5
Also, this update improves the colour and noise profiles for the following cameras that utilise the DNG raw file format already supported in previous versions of Lightroom and Camera Raw: Casio EXILIM EX-FH100 (DNG) and Leica S2 (DNG).

Fitting a Vectis 80-240mm to the NEX

OVER the past few days I’ve been looking at the NEX-5 and a range of lenses and optical systems. I’ve got adaptors for C-mount (16mm/TV/CCTV) lenses, Leica 39mm screw, Minolta MD and the LA-EA1 for Alpha A-mount. The NEX-5 has proved able to provide a surprisingly bright focusing image through a classic German microscope:

It also proved very competent with the Sigma 70-300mm f/4-5.6 OS lens, the adaptor providing power for the OS which is fully functional, and also for auto exposure, leaving only manual magnified focusing to tackle. Continue reading »

What's NEX? – full first-look review

Although you will never achieve the kind of results seen with your Sony NEX-3, the technologies used in these cameras do filter down and more compact versions may be seen in the future in your Sony Mobile Phone, enabling you to take great images on the move. Continue reading to find out more about the camera system and its capabilities.
THE SONY NEX-3 & NEX-5 cameras are ultra-slim interchangeable lens models, referred to as ‘ultracompact’ or ‘compact system camera’ models by Sony. The lens flange to film distance is only 18mm, compared to 44.5mm for the Alpha system and very similar figures for all popular SLR brands.
The Leica M and screw mounts, with under 1mm difference between them, are 10mm greater than this at around 28mm. Screw mount Leica lenses can be adapted to M even though there is only 1mm difference. With 10mm difference, almost any lens ever made for any camera – even the Robot system, original Contax, maybe even the Pentax 110 SLR – can probably be adapted to fit the E-mount. In fact it will accept 16mm and 35mm (half-frame) ciné, C-mount CCTV lenses, and subminiature camera lenses.
You name it, the NEX will be able to do it. Telescopes, microscopes, endoscopes, whatever. And Alpha lenses, and MD lenses. There is even enough ROOM with over 25mm the spare to fit a true retrofocus format reduction converter – that is, a 0.66X optical unit which condenses the image from a full frame lens to fit the APS-C sensor. It is already done in the video and ciné world, and these converters have a wonderful bonus. Your 24-70mm f/2.8 SSM lens becomes, with a 0.66X reducing converter behind it, a 16-46mm f/2. That’s right – the same way a teleconverter loses you a stop or two, a format reduction converter gains you a stop.
Continue reading »

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