Cameracraft magazine – Taking your practical photography further
MacLive Expo 25th – 27th October 2007. Olympia, National Hall, London
Opening hours are 10.00am – 6.00pm Thursday 25th and Friday 26th, and 10.00am – 5.00pm Saturday 27th. Entry to the Show is free for the first 5,000 pre-registered visitors, so register now and save £15.00. For more information or to pre-register, log on to www.macliveexpo.co.uk
The first day of the event is geared towards professional users and the following two days focus on consumer issues.
We have come across this site which presents an exceptional analysis of microstock sales:
http://www.perrush.be/SYF_micro_E_1.html
Not that, in your editor’s opinion, the results are all that wonderful – it would be easy enough to secure the same monthly earnings from a single direct sale to any publication, and it’s more interesting by far to try to place work directly with clients, talk to them, deal face to face or by email. But this is the best and most detailed analysis of microstock we have yet seen.
-DK
David Kilpatrick reported in January 1996 on the performance of the Leaf Lumina, which Icon had acquired in early 1995 as one of the first digital studios to operate in Britain. Read this report on prices and technology in 1995-6 and weep!
BACK in 1996, David Kilpatrick and Andy Aitken reviewed the latest Canon for David’s Photon magazine. It has something which the Canon EOS 1D MkIII of 2007 also features – 10 frames a second. But to achieve this it had to sacrifice focus tracking and use a pellicle mirror, with the lens permanently stopped down during fast sequences. This article makes interesting reading in the light of developments since in the digital domain. Continue reading »
David Kilpatrick explains why controlled conditions are important and shows an example of a ring-around chart – something to keep pinned on your darkroom wall, made from your own test negatives or slides. This article was first published in 1996, and the principles if not the identical corrections can be applied to making inkjet tests from digital images. It is still most relevant to darkroom colour printing, for those who want to keep this art alive.
Dean Collins invented ‘cromazones’ – predictable, variable studio backdrop color from a gel-filtered background light. David Kilpatrick sets out to show how two low-cost strobes switchable down to quarter power give all the control you need. Continue reading »
THE Konica Minolta Maxxum/Dynax 5D colour modes and conversions are like a whole box of film choices in one roll. This article was written using the 5D in 2005. The modes of the Sony Alpha 100 are similar, but the colour palettes will vary from these results. Continue reading »
NOT AS a force in the market but as a camera body! This question divides the camp of Alpha owners expecting to upgrade to the new Advanced Amateur model (codename A300) when it appears later this year. We now expect the AA model to be on sale before the end of October 2007 in some markets, with a publicity release date some before this. Continue reading »
Electronic Flash EF-530 DG SUPER
Advanced features and high performance for the latest digital SLR cameras and 35mm film SLR cameras
NEWS RELEASE from Sigma UK Continue reading »
I SELL digital images through Alamy, the on-line photo library. When an original piece of art is out of copyright, and displayed in public or by an owner permitting photography, the ability to get a good quality reproduction copy on the spot without lights, tripod or flash is valuable. Some 8 per cent of my overall Alamy images sales over the past four years have been of signs, notices and labels – disproportionately high, compared to the actual number of such shots. As someone has commented, editors like pictures which tell their own story, and sometimes have words in the pictures does just that. Continue reading »