Cameracraft magazine – Taking your practical photography further
FUJIFILM UK Ltd. (Managing Director Hiroshi Saigusa) has announced that it is to increase prices on its range of photographic papers and films in the United Kingdom. The price changes are being implemented on a worldwide basis. Continue reading »
Libraries like Alamy are demanding model releases even for crowd scenes now, if the image is to be sold as Royalty Free or offered with Rights Protection for commercial advertising. Either way, they want signed paper! This restricts all street scenes and many place-shots to Licensed (normal, editorial-only) status. Other libraries or portals will not accept unreleased people shots of any kind at all
The latest DSLRs – notably the Pentax K20D, Samsung GX20 and Sony Alpha 350 – offer over 14 megapixels in the small 1.5X factor format. Later this year we get 24 megapixels in full frame, but 14 on APS-C is higher density and will reveal more detail in the cropped area of the shot.
Here, snapped with the Pentax K20D (14.6 megapixels) is a crowded beach in Gran Canaria on a Spanish bank holiday Sunday before Easter. At this stage it is relatively empty 🙂 No-one gives a second thought to a camera with an 18-55mm kit lens. It is not as if this overdressed British tourist is waving a big white tele at them.
What they do not realise is that every single person on this beach is identifiable right down to the wrinkles on their cellulite, and worse things. Today’s DSLRs can pull out a section worthy of Breughel (though parts look more like Bosch) and show as much detail as you would once have expected from rollfilm:
This is cropped and reduced from an export using Adobe Camera Raw from the original .PEF file up to 6144 pixels wide (75 megabytes file size) – to view the full size crop click the image. It is exported with Sharpening set to 0, NR set to 0, and no post processing is applied to enhance detail. It is, as you would expect, slightly softened by the anti-aliasing filter and de-Bayer process but with a wealth of detail present.
Ten years ago you would have been happy to see an 640 x 480 digital camera picture looking as sharp as this crop. So, given web use of images, the picture libraries are right. A model release is needed for any commercial use of any scenes with people in, no matter how many people and how far away.
Today’s and tomorrow’s digital SLRs are going to capture scenes the photographer is not even able to spot when composing the shot, and may cause anything from embarassment to lawsuits because of the clarity of their information.
Be warned! And remember, too much sunbathing is damaging. Cover up…
– David Kilpatrick
Photographic supplier www.photomart.co.uk is to hold a “Summer Show”, a
bumper day of photo workshops, in its huge London showrooms on June 18,
2008.
An all-star cast of photographers – including Keith Trainor, Jon Gray,
and Ian Brierley – will present a variety of photo workshops sponsored
by manufacturers including BOWENS, ExpressDigital, Fujifilm, ICI and
SONY, on topics ranging from Event Photography to Studio Lighting, Wide
Format & Canvas Printing, and Workflow Productivity.
Free food and refreshments will be provided throughout the day, and
www.photomart.co.uk are giving 15% off most accessories and consumables
purchased at the workshops.
A single ticket grants entry to any workshop, and all are presented
twice on the day (once in the morning, once in the afternoon). That
means you should be able to attend at least two different ones.
Tickets, priced at just £50 +vat, can be booked from the
www.photomart.co.uk website. (Directions to the London venue are there
too.) Just type the search code “SUMMER08” into the Search Box on the
www.photomart.co.uk website.
Photoworld 2008 #2 is now being mailed to subscribers!
Our Spring edition features – Continue reading »
WE trialled a ZMags version of the January 08 issue of Photoworld here. We then looked at Uniflip. However, all these places want a few hundred dollars to leave a slightly adjusted Flash or Java version of a PDF we create, on their server for 12 months. The ZMags trial is now removed and after testing Uniflip, it was clear we had no reason at all to use this service either.
You can simply download a modest sized PDF (72 dpi screen res) of the January08 Issue here instead…
– David
The first SONY World Photography Awards were presented in the late April sunshine of Cannes, to what must have been an exclusive gala dinner audience – at €250 a head, our ‘man on the spot’ Thomas Goseberg decided against the opportunity to take his wife out for a quiet meal…
USERS of the Nikon D3 downloading the latest firmware update have found information strings referring to the D3X and listing the file sizes the forthcoming camera will produce. The sizes match the pixel count of the Sony full-frame CMOS sensor due to be used in the ‘Alpha 900’ Sony full-frame body. Continue reading »
The launch of the Alpha 350, with its small 0.74X viewfinder, makes a proper eyepiece magnifier attachment an essential addition to the Sony accessory range. Olympus, Nikon and Pentax all have such magnifiers, which permit a full view of the screen for most wearers and make all the difference to the manual focusing and general comfort in composing shots. We tested two devices, one of them the highly affordable Seagull 1x-2.5x right angle finder, and the other Olympus’s ME-1 1.2X ocular magnifier. Continue reading »
This is the latest press release from Sony UK – filling the streets of Miami with club-style foam for their new digital photography ad campaign: Continue reading »
Adobe Systems Incorporated today announced Adobe TV, a free online video resource for expert instruction and inspiration about Adobe products, including the company’s Creative Suite 3 family of world-class creative tools. With multiple channels, original series programming, and content from Adobe, leading training organisations and the world’s leading subject matter experts, Adobe TV delivers a virtual library of entertaining and instructional videos. Designers, photographers, video professionals, and developers will find product deep-dives, innovative tips, techniques from luminaries, and behind-the-scenes tours of the hottest creative shops and Adobe product teams.
Designed to educate, inspire, and entertain the creative community, Adobe TV is immediately available online from the Adobe Web site at http://tv.adobe.com. “Adobe TV is the online video source for anyone with wants to see how Adobe tools are being used to create stunning work,” said Bob Donlon, executive producer for Adobe TV. “It brings together experts from Adobe and the creative community to inspire and teach how to get the most from the software that is empowering the delivery of high-impact print, online, video and mobile communications. It’s also the perfect showcase for Adobe’s broadcast video technologies in action.”
Videos on http://tv.adobe.com can be sorted by Most Recent, Most Popular and Top Rated to see what others in the community are watching. Additionally, viewers can easily share their favourite programs with others by posting them to their blogs or Web sites, or e-mailing links to friends. Adobe TV videos come with lightweight links that make it easy to spread the word about interesting content.
Rich Library of Video Content
Adobe TV features four channels, each targeting a specific audience: Photographers, Designers, Video Professionals, and Developers. Each channel features programming from Adobe evangelists, leading trainers, subject matter experts, and luminaries who pull in the crowds at industry events around the world. More than 200 videos are currently available on Adobe TV, with programming that mixes how-to information, case studies, personality-driven shows, and workflow deep-dives. The first set of videos offers secrets about Photoshop software, podcasts and design tips for Creative Suite, techniques for Photoshop Lightroom, tips on Adobe Flash Professional software for beginners, approaches to taming the Web, and information about video and audio production.
“The creative community instinctively turns to the Web as a primary resource for tutorials and information on how to use Adobe products, but before now this content was scattered and difficult to find,” said Joseph Princz, CEO of the interactive agency, Wrecking Ball Media Group. “Adobe TV makes it easier than ever to search for and subscribe to Adobe video content that not only inspires new creative ideas, but also helps us to refine our skill sets and dive further into the essential tools our business depends on every day.”
Creating and Delivering a Complete Online Video Experience
Adobe TV demonstrates the power of Adobe’s leading video technologies from creation to playback. Using components of Adobe Creative Suite 3, Adobe TV programming is scripted and storyboarded, and the graphics and imagery are developed. During production, Adobe OnLocation software monitors quality and records directly to disk. Visual effects are produced in Adobe After Effects software, the audio is cleaned up or created in Adobe Audition software and Adobe Soundbooth software, and then the programming is edited and output from Adobe Premiere Pro. Adobe’s Emmy-award-wining Flash technology, the most widely used platform for delivering interactive experiences online today, and Adobe Flash Media Server then package and deliver Adobe TV.
