Category: Software Reviews

Free download PDF guide to Adobe Camera Raw

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You can open or download an excellent (slightly dated, unrevised since ACR 6.1 but finally translated into English from the original Italian by Francesco Marzoli) guide to all the deeper functions and tricks of efficient workflow using Adobe Bridge, Camera Raw, Lightroom and Photoshop from X-Rite:

http://www.xritephoto.com/Documents/Literature/EN/GuidaCameraRaw_en.pdf

This PDF instruction book obviously mentions the use of X-Rite’s ColorChecker Passport for calibrating cameras, that’s why they have sponsored the guide. But it goes far beyond this to explain with clarity all the controls of ACR, and many tips are given on how to use them best.

As an example, we didn’t know that Bridge could be forced to use Camera Raw without taking over Photoshop – meaning it can be run separately, allowing you to do other work in Photoshop while ACR does file conversion and saving from within Bridge alone.

You can load this guide into your iPad or other reading device. Just SAVE the target file, and ADD to your iTunes Bookstore Library, it will then be readable. For other devices simply save the PDF and transfer.

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Photo Techniques, Software Reviews

Image Data Converter v4 – download now

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Sony’s Image Data Converter latest version – 4.0 – will handle all Alpha raw files from A100 to A77, and all NEX raw files. It offers improvements in performance and stability, but it also eliminates the need for the Lightbox application (found in v3) as a separate item. You simply browse for a folder of images, and IDC now shows a regular thumbnail browser with image information not unlike Adobe Bridge.

Double-clicking the thumb opens the image as expected in the raw editor. This has all the features of v3 are a bit more, but at least on a latest MacBook Pro with 2GB memory it seemed to crash and quit (normally after processing the file) rather too often.

One new feature, found when you save the file and not in the main processing controls, is a crop with Inclination Control and a grid:

Testing Alpha 77 raw files on the new software, the Bayer conversion seemed to be incredibly noisy and the noise reduction left fine detail heavily smeared much the same as for in-camera JPEGs, but the colour styles, DRO settings and some other aspects read from camera EXIF data are retained. It can not be recommended as a main choice for raw conversion, and certainly not for high ISO images, but it’s available and is a fairly small application to install on laptops or less powerful machines.

Download links:

Mac OSX .dmg installer

PC/Windows .exe installer

– DK

6
Cameras (DSLR), News, NEX System, Software Reviews, Uncategorized

Adobe Camera Raw 6.4/Lightroom 3.4

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The final (not beta or release candidate) versions of Adobe latest raw conversion engine are now available. There are no significant enhancements for Sony files, as the latest RC version was already up to date with all required camera raw filetypes. No new Sony lenses have been added to the Lens Profiles, but we would point out that the last Sony lens profiles issued included some created here at Icon Publications Ltd, and these (such as the profile for 16mm f/2.8 NEX lens) have not been replaced.

Adobe clearly relies on input from owners so rather than complain about lens profiles missing, download the profiling kit and submit some to Adobe to add to the Minolta/Sony options!

You can find the latest versions of ACR, DNG Converter, and LR here:

http://www.adobe.com/downloads/updates/

The ACR 6.4 plugin can update Photoshop CS5 only, or Elements 9. If you have an older program, download the DNG Converter to be able to process the raw files from newer cameras (NEX, SLT, 560, 580 etc).

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Software Reviews

Capture One 6.2 – A55/33, NEX-5/3

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The new Capture One 6.2 release includes raw conversion for the Sony Alpha 55, Alpha 33, NEX-5 and NEX-3. It offers enhanced options for local adjustments, additional camera controls for Canon and Nikon and improved XMP metadata functionality.

The release also adds camera support for the latest Samsung, Fuji, Ricoh, Panasonic, Canon, and Nikon camera models as well as camera support for Phase One IQ180, IQ160, and IQ140 including tethered support.

Capture One 6.2 includes the following new features and enhancements:
– Local adjustment of saturation and clarity
– Invert local adjustments mask
– Copy local adjustments mask from other layer
– Auto sync of XMP metadata (sidecars only)
– Additional camera controls for Canon and Nikon
– Improved OpenCL and 64 bit performance

Capture One 6.2 offer support for the following new cameras and ! hardware:
– Phase One IQ180, IQ160 and IQ140 including tethered support
– Canon 600D/Rebel T3i and 1100D/Rebel T3 including tethered support
– Fuji X100
– Nikon D5100* and tethered support for Nikon D-7000 (*preliminary)
– Panasonic DMC-GH2 and DMC-GF2
– Ricoh GR DIGITAL, GR DIGITAL II, GR DIGITAL III, GX100, GX200, GRX S10, GXR P10, GXR A12
– Samsung NX5, NX10, NX11 and NX100
– Sony SLT-A55, SLT-A33, NEX-3 and NEX-5

Learn more about Capture One 6.2 here

Download Capture One 6.2 here

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Cameras (DSLR), NEX System, Software Reviews

Free preview download – Perfect Layers

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onOne Software have announced that a Public Preview of Perfect Layers is now available to download and try out, free of charge.

Perfect Layers is a standalone application that works on its own allowing you to create and edit layered Photoshop files. If you use Lightroom or Aperture and you’ve ever wanted to or wished you had the ability to create a layered file, then this is definitely for you.

Being able to take two or more files and combining them into a single layered file or taking a single image and duplicating it to create multiple layers and use blending modes to enhance them is very powerful and opens up all kinds of creative things you can do.

onOne have been working closely with Scott Kelby from the National Association of Photoshop Professionals on Perfect Layers to refine the feature set and get great ideas in general on Lightroom users need. Scott has been playing with early development builds of Perfect Layers and he (and the rest of his team including Matt Kloskowski and RC Concepcion) are very excited about the possibilities that Perfect Layers will bring to Lightroom users.

The Perfect Layers Public Preview will expire on June 30th, 2011. The final version, 1.0, will be available for purchase in mid-2011. At that time, Perfect Photo Suite 5.5 owners will receive a free product update that will include Perfect Layers 1.0. Suite owners and anyone interested in Perfect Layers can download the free public preview now.

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Software Reviews

DxO Optics Pro 6.5.4 adds Alpha 580

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February 10, 2011 – DxO Labs is pleased to announce the immediate availability of DxO Optics Pro v6.5.4 for Mac and Windows that adds RAW support for the Olympus E-PL2, Panasonic Lumix DMC-LX5 and for the Sony Alpha DSLR-A580 in both its Standard and Elite editions. Further, 69 new DxO Optics Modules are now available to DxO Optics Pro users, covering numerous Canon, Nikon, Fuji, Panasonic, Pentax and Sony cameras.

Availability and price
DxO Optics Pro v6.5.4 for Windows and Mac, Standard and Elite editions are available from DxO Labs’ e-store and selected resellers at the following prices:
DxO Optics Pro Standard edition: $169 / 149 € / £ 99
DxO Optics Pro Elite edition: $299 / 299 € / £ 199
€ and £ prices include sales taxes and VAT.

All customers who purchased DxO Optics Pro since June 1st, 2009 are entitled to a free upgrade to version 6.5.4.
System Requirements
2 GB RAM minimum
400 MB available disk space
Windows :
Intel Pentium 4 processor or AMD equivalent (Pentium Dual Core or higher or equivalent recommended)
Microsoft Windows XP 32 or 64 bits, Windows Vista 32 or 64 bits, Windows 7 (32 or 64 bits)
To process RAW images larger than 20 MPixels, a 64-bit operating system with 4 GB RAM is strongly recommended
Macintosh:
Intel-Mac
Mac OS X 10.5 Leopard, Mac OS X 10.6 Snow Leopard
To process RAW images larger than 20 MPixels, 3 GB RAM is strongly recommended

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News, Software Reviews

Adobe releases 6.3 and 3.3 raw with 560-580 support

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Raw conversion for the Sony Alpha 560 and 580 models is now available from Adobe. Adobe has released the final ‘cut’ of Lightroom 3.3 and Camera Raw 6.3, along with other improvements on December 7th and a Bridge update which was released a week ago:

Photoshop CS5 12.0.2 update

December 7, 2010
Windows | Macintosh

TWAIN Plug-in update

December 7, 2010

Camera Raw 6.3 update

December 7, 2010
Windows | Macintosh

DNG Converter 6.3 update

December 7, 2010
Windows | Macintosh

Lightroom 3.3 update

December 7, 2010
Windows | Macintosh

Adobe Bridge CS5 4.0.4 Update

November 30, 2010
Windows | Macintosh

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News, Software Reviews

DxO plug-in offers Alpha-NEX HDR/multishot simulation

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DxO Labs today announced that a DxO HDR plug-in for DxO Optics Pro 6.5 will be released in November. The new DxO HDR plug-in will enable photographers to merge several RAW shots effortlessly to either capture a greater dynamic range in the scene or to reduce noise beyond the camera’s sensor capability.
DxO was already known to be working with Sony, and offers in-camera firmware programs. This Plug-In closely mimics the multishot HDR, Twilight or High ISO noise reducing modes of the NEX-3, NEX-5, Alpha 33 and Alpha 55. It may be related and perhaps we will see it one day as part of Sony’s raw conversion software suite.
High quality HDR to capture a greater dynamic range from multiple RAW shots
Even with high-end digital cameras, the sensor dynamic range limits make the capture of extremely contrasted scenes difficult for photographers who wish to keep both highlight details and opened shadows in their pictures. With the new DxO HDR plug-in for DxO Optics Pro, photographers can overcome this limitation by merging bracketed RAW images into a single image file capable of handling a wider dynamic range than a regular RAW image. Specially designed multi-shot HDR Presets will let photographers render this new image effortlessly with a broad range of intents from the most natural looking image to extreme creative styles.
DxO Optics Pro’s best of breed RAW conversion and optics correction, ensures optimal image quality. “The DxO HDR plug-in also provides automatic image alignment, needed to compensate for camera motion when shooting hand-held, and ghost removal, needed to account for moving objects within the scene.” said Cyrille de La Chesnais, Director Sales & Marketing for DxO Labs’ Photography business. “Photographers can even decide which instance of the moving object they want to keep in the final image.”
Noise reduction beyond sensor capability, from multiple RAW shots: in situations such as handheld telephoto or low light where low shutter speed is not an option, taking a burst of RAW images at the same exposure and merging them together with the DxO HDR plug-in proves to be an extremely powerful way to reduce noise beyond the sensor’s intrinsic capability.
“DxO Optics Pro’s best of breed noise removal applied on a merged photo, whose noise has already been significantly reduced by the virtue of merging photos, produces an image of outstanding quality,” said La Chesnais.
Availability and pricing
DxO HDR plug-in for DxO Optics Pro 6.5 for Windows and Mac is scheduled for release late November 2010 from DxO Labs’ e-store. Final pricing is not available.
System Requirements
2 GB RAM minimum
400 MB available disk space
To process RAW images larger than 20 MPixels, a 64-bit operating system with 4 GB RAM is strongly recommended
Windows :
Intel Pentium 4 processor or AMD equivalent (Pentium Dual Core or higher or equivalent recommended)
Microsoft Windows XP 32 or 64 bits, Windows Vista 32 or 64 bits, Windows 7 32 or 64 bits
Macintosh:
Intel-Mac
Mac OS X.5 or X.6

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News, Software Reviews

NEX, A33, A55 support – new ACR 6.2/LR3.2 final

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The final release of Adobe Camera Raw 6.2, DNG Converter 6.2 and Lightroom 3.2 includes raw conversion support for the Alpha 33 and 55 models as well as the NEX-5 and NEX-3, Alpha 290 and 390 which were included in the Release Candidate versions. These August 30th releases are final version, RC versions are a form of beta test.
The bad news is that anyone using the LR3.2 RC as a temporary free solution for getting full profile correction without investing in Photoshop CS5 will lose their freebie. But Lightroom is eminently affordable, and it can function as a raw conversion front-end for any earlier Photoshop or Elements version. On its own, it is a mere 10MB of program data fatter than Adobe Camera Raw as a plug-in and runs with great efficiency on modestly specified laptops (etc). It’s a lean, keenly priced solution which offers many further benefits as a DAM (Digital Asset Management) library such as keywording, copyright control, metadata editing, version stacking and multiple catalogues.
http://www.adobe.com/support/downloads/new.jsp
I am informed that support is included for the 16mm lens on NEX (profile) but I can’t tell whether it is the profile I supplied to Adobe Labs, or a new one, because my profile has remained unchanged on my system – same names, same modification date. And there’s no NEX-3 version which might be expected if they had created new profiles. So it looks as if it could be worth sending profiles into Adobe after creating them.
It’s fantastic news that Adobe has released ACR for the new Alpha 55 16 megapixel sensor before the cameras even hits the street – mine is on order, waiting! Not so great for Nikon users; no D3100 raw conversion in this release. But Canon users get the 60D (despite Adobe missing it out from their front page list). Adobe did this Sony friendly pre-release once before, for the Alpha 100, getting the conversion into place before the camera went on sale.
The bad news is that the Alpha 580 and 560 models are not in the list alongside the fixed mirror pellucid, transflective (anything but Translucent, please…) cameras.
The instruction manual for the Alpha 33 and 55:
http://esupport.sony.com/US/perl/model-documents.pl?mdl=SLT-A33&region_id=1
is already on-line and shows a March 2010 publication date, which means that Sony has had these new cameras in existence since the beginning of the year, certainly well before PMA when mockups were shown. It’s likely that Adobe’s Thomas Knoll has been using one from the first bug-free pre-production model onwards!
Now all we need is the revised lens series with SAM or SSM motors fitted into the 16-80mm CZ, 16-105mm Sony, 18-200mm and 18-250mm Sony; the 11-18mm wideangle replacement, the 75-300mm SAL replacement, and a few other goodies. Hopefully all Zeiss glass gets SSM where possible. That 16-80mm CZ is four years old now as a design. A tweak to the maximum aperture, or the zoom range, would revive interest.
– David Kilpatrick

4
Cameras (DSLR), NEX System, Software Reviews

ACR 6.2 2010 Process – huge improvement

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Before the launch of the NEX models, the last camera we reviewed here was the Alpha 550. The final review pages dealt with the high ISO performance.
Following the release of Adobe Camera Raw 6.1 and 6.2, the new ’2010 Process’ has replaced the ’2003 Process’ in conversions (you can select either option). The 2010 Process used with manual adjustment of the Noise Reduction controls can produce really exceptional ISO 6400 results.
This changes any previous conclusions about the usefulness of Alpha 550 high ISO settings, and indeed brings them into line with the results we have seen from NEX – which of course defaults to the 2010 process, and can not be processed using earlier Adobe Camera Raw versions.
Here is the old process, top, seen at a reduced scale of a 100% view at ISO 6400:

Click the Process 2003 image above to open the original 100% size screen shot.
Below is the new 2010 process, which is more than just a minor tweak – it’s an entirely different way of getting the data out of the raw file.

Click this image to see the Adobe Process 2010 result full size. All the settings were identical for these two conversions. The improvement is on such a level that ANY test reports on the Alpha 550 produced in 2009 using CS4 and Adobe Camera Raw 5.x are invalid.
The NR can be moderated to produce more detail on the 2010 process midtones at the expense of more visible grain (but it’s nothing like the 2003 pattern – it remains mainly a fine luminance pattern). I have used a setting which produced a clear comparison. Entirely different NR settings are actually better, with the two processes, but no matter how you adjust the ‘2003’ version it never looks anything like as fine as the 2010 one.
Should dPreview and others update their RAW sample images because the old process was so badly matched to the .ARW format? Nothing like the same difference is made for example to Nikon raw files, 2010 is better, but 2003 didn’t mess up the higher ISOs in the way it always did for Minolta/Sony raws.
Please note that if you don’t want to get CS5, you can still get the benefit of this new conversion with Adobe Photoshop Elements 8.
– David Kilpatrick

6
Cameras (DSLR), DK's ramblings, Software Reviews
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