Cameracraft magazine – Taking your practical photography further
Sony has announced the Alpha 500 and 550 today with an official release to all press. No press conference was held for the UK press and any advance information received has been given indivudally to journalists. There is a press event tonight in London but this is VERY specifically stated to be for trying out the new Cyber-Shot models at twilight. The official release follows.
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ALL the current DSLRs made – whether by Canon, Nikon or even Sony with the A700 and A900 – state their maximum fps continuous shooting speed as being with NO autofocus, and NO exposure metering changes. There’s a lot of talk on forums about the 7fps of the new Alpha 550 – 14.3 megapixel CMOS APS-C with a good high ISO capacity – being in some way crippled because it has been made clear by Sony that this speed applies to a ‘lockdown’ of focus and exposure with the first frame. This is not surprising as it’s a quiet, mirror-up mode using the off-sensor live view to maintain contact.
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ACCORDING to specifications revealed on a German site, the new Sony Alpha 500 will have a 12.3 megapixel CMOS sensor capable of providing Live View to the rear 3 inch medium resolution screen – with Manual Focusing at 14X magnification. The in-prism based Quick AF Live View is retained, giving a choice between two entirely different systems of Live View, Sony’s innovative and easy solution scanning the focus screen, and a critically accurate alternative for tripod work. The camera may sell for just €50 more than the Alpha 380 – or break the £500 body only barrier in the UK right from the start.
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Adobe’s Camera Raw Release Candidate 5.5, which introduces global corrections for all Bayer sensor cameras requiring a differential value treatment between the two Green channels, has a visible effect on the colour of Sony Alpha file conversions.
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Tamron’s 18-250mm lens – later adopted by Sony – was so good that it really takes some effort to beat it. Sigma has put that effort in, but the cost is a very much larger and heavier lens. If all you got was some better performance, it might not be all that exciting. But you get potentially superior anti-shake through its built-in OS, and faster focusing with HSM, the Sigma equivalent of SSM. And you can buy it for under $430, and it works fine on the NEX A-mount adaptor for stabilised videos too – with some degree of autofocus tracking during filming.
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The deadline for entries to the 2009 Master Photography Awards has been extended to August 12th, 2009.
All entries must be received at MPA – Jubilee House, 1 Chancery Lane, Darlington DL1 5QP – by close of business on Wednesday August 12th. Each entry should consist of an unmounted print (10 x 8 or A4) which either shows the image area only of a final print, to be mounted and sized appropriately on a 20 x 16 mount; or shows a 1/4 size reproduction of the finished 20 x 16 exhibition print. This must be made from the same image file to be used for the final print, on the same materials, with the same finish (but not mounted).
British Journal of Photography is calling for entries to its International Photography Award – a juried competition with a total prize fund worth more than £13,000. There are two categories, providing two opportunities to exhibit at a leading London gallery and have your work printed by one of Europe’s leading fine art printers. The winners will also win professional camera kit worth £5000 and a feature in BJP.
Single image prize: Last year Walter Astrada, an Argentinian World Press Photo award-winner picked up the single image prize for his stark shot of murder in Guatemala.
Portfolio prize: Beso Uznadze (©photo above) won the portfolio prize for his stunning series of portraits of Georgians, shot after the conflict with Russia in 2008.
The International Photography Award is judged by a panel of internationally-recognised photographers, picture editors and curators. Photographers may submit multiple entries into either category and the contest is open to all.
Entry is £5 (or $8 or €6) for the single image category and £25 (or $40 or €30) for the portfolio category. The deadline is 11 September. For more information and to enter, visit bjp-online.com/ipa.
SONY puts two 10.2 megapixel consumer digicams on the market in September 2009 using the back-illuminated Exmor R sensor. This CMOS sensor architecture takes the ‘sandwich’ which forms the light-sensitive pixel wells, and reverses it so that the side previously used for connections now faces the image-forming light. This change allows more light to be captured, resulting in improved high ISO performance. So far, the Exmor R technology has only been used in video cameras and this is the first appearance of it in still cameras. The cameras can shoot at 10 frames per second.
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The Alpha 900 offers an unrivalled view through its 100% prism finder. The extra brightness, as well as the size and clarity, make most subjects far easier to photograph well. For some users, however, the full frame camera brings a disadvantage in terms of reach and resolution. You need lenses 50% longer (and thus twice the size, and four times the cost!) to fill the frame with the same distant sports and wildlife subjects. I don’t need to remind anyone how popular these two subjects are with amateurs, and sometimes, how important to professionals.
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My Sony Alpha 380 was supposed to arrive before July 13th according to SimplyElectronics.net – via Amazon – claiming UK despatch of 2-10 days delivery after debiting my card on July 6th from a July 3rd order. Well, it didn’t arrive by July 21st, and after some email exchanges I have apparently obtained a refund for the charge they made for an item they did not have (though this was still showing as ‘processing’ in August). Warehouseexpress.com had got the A380 plus 18-55mm kits by that time, for £10 less, and delivered in 24 hours. Update August 9th: under a month later, the warehouseexpress kit price has fallen by 10% (£50) to £548 inc VAT.
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