An amazing bag bargain

We thought that these bags at a low price would disappear, so since buying some last month, I’ve told a few friends but not publicised it. A Facebook posting or so.

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What is the bag and why is it so good?

It’s a Manfrotto Stile Unica VII, the largest size made in these Chinese-fabbed courier or messenger style shoulder bags. There are a few smaller sizes but this big one can fit a MacBook Pro 15″ or a typical Windows laptop 17″ in the back of the main compartment, behind the insert. That is not unique, my ancient 1987 Tenba Messenger will also fit my MacBook and even take a couple of cameras. What it will not do it take my favourite tripod, the Gitzo Traveller 6X carbon fibre travel pod, in its base compartment.

The Gitzo is designed to be shorter than the airline/airport rule on dangerous items, the same sub-14″ length as a large collapsible umbrella. This did not stop the customs guy at Bari Airport, in 2011, seizing the tripod and telling me it was not allowed and would be confiscated. I don’t speak Italian, but I do know Italians! I became very agitated and waved my arms a lot, explaining that this tripod was an Italian product, specially made for airline travel, and cost over 500 euros… and was a gift from my wife (who at this moment was clearly about to burst into tears). I could not believe that I would lose this wonderful Italian product when trying to fly back from Italy.

The customs man and his female colleague turned away to confer. A second later he just handed the tripod back and motioned us through.

Even so, despite its value, the Gitzo now goes in our hold baggage and not in the camera bag. It simply isn’t worth the risk of confiscation versus the risk of loss – and loss is insured, where confiscation is an untried situation with my insurance company. We have not, yet, had to ask.

Once arrived, the new Stile Unica VII bag will fit the pod perfectly and it weights the bag just right. The Stile is relatively slim front to back but large, like a satchel, so it tucks under the arm in busy crowded places. It’s easy to swing round to the front, and with the document compartment zipped up and under the flap with velcro and a huge metal webbing clip, camera access is possible through a top zip. Yes, that’s not so secure if you stand on a Barcelona street corner and swing the bag behind you. That’s where backpacks fail too. It looks slightly less like a camera bag than some, too. And you can do a padlock tie on the twin top zip and document compartment zip too. The laptop slot has a velcro tab to secure it. The camera load bay had one divider and a sort of lens-cradle thing which is not enough, but who does not have a cupboard full of spare dividers? What’s lacking is velcro fur all round to allow free layout. We use pouches or cloths to keep stuff apart. Big microfibre cleaning cloths are great, you can use them to clean the gear as well as wrap it.

The actual dimensions are 16 inches clear in the base compartment, by a variable 3.5-4 inches squareish. It will not quite fit the Sony 70-400mm G lens in its pouch; this would strain the zip. It easily fits this lens ‘bare’, and the height of the top compartment is also enough for the 70-400mm standing vertically. It is a surprisingly large bag for this type of design.

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So, it’s not got a huge capacity or clever compartments. What is the rest of the appeal? The weight. I opened my copy of Practical Photography and found a guide to camera bags for travel. Are they nuts? All the bags I saw were really for working out of the back of your car or roller-ing along when shooting a wedding. People who fly do not start out with a bag weight over 6 kilos before loading gear.

The Stile Unica VII weighs just a few grammes over 1 kilo, leaving you almost 4 kilos of payload before you hit the maximum allowed on board many smaller flights. I’ve only ever been caught once and had load up my pocket, on Croatian Airlines. In theory plenty of other carriers limit you to 5kg. BA and Easyjet allow anything you can safely lift into the overhead, some others allow 10kg. But even in 10kg, the less dead weight the bag takes up, the better. The Unica VII is even lighter than our single-layer traditional canvas photo bags, and unlike them, it has a tiny amount of padding.

The next thing is the price we paid. This is an £80-90 bag officially. But at the time I post this page, you can get the unpopular mud-coloured ‘Bungee Cord’ (colour) fabric version for £32 in the UK from Amazon. That’s including VAT, not some grey import deal.

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This is the white version – that’s right, how impractical! A white camera bag. Nearly as impractical as a white lens… it cost more, a touch under £50, still almost down to half price. We wanted white for travel and walking in hot, sunny conditions. Black cameras are bad enough, and can quickly rise to 40-50°C if you leave them in the sun. Dark colours, especially black, bags are poor when it comes to keeping gear cool, and it is the temperature of your DSLR which determines whether you get the best possible dynamic range and noise levels from your sensor. The Alpha 99 is a bit of an exception. These cameras are built to work with the sensor HOT, that’s what live view EVF does for you. You still get the very best performance from a cool camera and shots you take before the sensor has warmed up – and you can still get the camera do a thermal cutout on you in very hot conditions, or if you shoot long video takes. Tip: move the rear screen away from the back a bit to allow ventilation.

The white Stile Unica VII is not just a fashionable dirt magnet, it is a practical camera carryall for tropical, desert and the occasional perfectly sunny day in Scotland. The muddy bungee-cord colour is less conspicuous and will take muddy marks happily.

I’m not keen on the sort of half-union-jack pattern of the bag flap and I hope they never make one in red, white and blue. The fixed shoulder strap is a decent length with an adjuster on both sides and a fixed non-removable, non-sliding shoulder pad. That’s perhaps one way the price has been kept down. But the strap supplied with the Pro bag I tried was so bulky and heavy it weighed about the same as the entire Stile Unica VII and occupied most of its bag’s interior when delivered! I’m all for stuff which can be squished up, rolled, flattened and packed if need be. This bag qualifies.

Here’s the Amazon link for the mud-coloured version at £32 – everyone who has bought one reckons this is a great price for a very functional if slightly depressing bag!

Manfrotto Stile Unica VII Messenger Bungee Cord

And here are other links – the prices are £47.64 for black (as you’ll realise, I just do not recommend black at all) and £53.29 for white (eccentric but useful colour). But ‘Bungee Cord’ rules at £32!

Manfrotto Stile Unica VII Messenger Bag – Black

Manfrotto Stile Unica VII Messenger Bag Star – White

And here is a link to the Gitzo Traveller tripod (latest version) which will explain why I learned quickly to act like an Italian and get emotional – £660, over 800 euros. I think I may just put mine in a safe as buy a cheap Giottos version to actually use… and I do not need a free ‘carrying solution’ either.

Traveller GK2580QTR – get a carrying solution for free!*

– David Kilpatrick

New HVL-F43AM Alpha flash with rotating design

Sony has announced a new HVL-F43AM flashgun using the same type of rotating body design found in the top of the line HVL-F58AM, to replace the existing HVL-F42AM with its traditional bounce design. At the same time, some more Alpha system accessories have been rolled out.

HVL-F43AM ‘rotator’ flash

With a powerful output of GN43 (105mm ISO100 m), the compact yet versatile HVL-F43AM flash from Sony is optimised for superb results with all A-mount cameras.

As featured on the HVL-F58AM, the innovative Quick Shift Bounce system allows flash head position to be adjusted instantly when switching between horizontal and vertical compositions. This maintains consistent shadow positions regardless of camera orientation, allowing easy creation of natural-looking ‘bounce’ effects.

Smart flash functions open up even broader creative lightning possibilities. Wireless Ratio Control makes it easy to select light emission ratios for up to three separate flash units*. This allows quick creation of sophisticated multi-point lighting effects without the need for complex professional equipment.

Ideal for everyday shooting and more serious applications, its dust- and moisture-resistant design makes the HVL-F43AM ideal for demanding assignments, indoors or outside.

Flash power levels are switchable in 22 increments, from 1/1 through to 1/128 level in 1/3 steps. High output power is complemented by a quick 2.9 second (approx.) recycling time. Despite the flash’s extensive functions, operation is refreshingly clear and simple via the high-quality LCD screen and direction buttons.

Main specification for external flash HVL-F43AM
Guide Number – 43 (105mm, ISO100・m)
Flash Coverage – 24-105mm (15mm focal length covered with built-in wide panel)
Flash Control – Pre-flash control, manual flash control selectable, direct through-the-lens (TTL) flash metering
Bounce Flash – Click positions: up (30°/45°/60°/75°/90°/120°/150°); down (8°); right (30°/45°/60°/90°); left (30°/45°/60°/90°)
Recycling time (based on Sony measurement) – Approx. 2.9 seconds (with alkaline battery)
Battery performance (based on Sony measurement) – Approx. more than 200 flash cycles (with alkaline battery)
Power level switching – 22 levels: (1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/128), 1/3 steps
Wireless Ratio Control – Available to control by 3 groups when used with DSLR-A900/A850/A700
Other features
Auto WB Adjustment with Colour Temperature Info; Auto zoom control optimised for image sensor size; High-Speed Synchro; Modelling Lighting; Test Lighting; Multi Lighting. Supports camera’s Red-eye reduction feature. Built-in wide panel and bounce sheet. High quality LCD screen.
Compatible Shoe – Auto-lock Accessory Shoe
Included items – Mini-stand, Case
Dimensions (WxHxD) – Approx. 75 x 129 x 87 mm
Weight – Approx. 340g (without batteries)
Power source – Four AA-size cells of the same type, either alkaline or Ni-MH

VCT-55LH bracket
The VCT-55LH is a versatile mounting bracket that offers space for mounting additional ISO cold shoe accessories. A useful add-on for all A-mount cameras by Sony, the bracket can also be used with E-mount cameras such as the NEX-5, NEX-3 and the Handycam® NEX-VG10E HD camcorder.

Other accessories – like a shotgun microphone – can be securely mounted while the camera’s main shoe is occupied. The VCT-55LH is ideal for use with the CLM-V55 clip-on LCD monitor that offers a clear, high-resolution view of images during video and still shooting.

Soft Carrying Case LCS-AMB
The LCS-AMB carry case protects your A-mount camera and attached standard zoom lens while you’re travelling. A special suspended partition cradles the camera securely while allowing quick access. Finished in durable black polyester material, the case can be slung over a shoulder using the supplied strap, carried by the grab handle or attached to a belt. It also features handy pockets with space for up to two extra batteries, spare memory card and lens cap. (NB: Not compatible with DSLR-A900/A850).

Lens Hood ALC-SH111
Compatible with DT 35mm F1.8 SAM and 85mm F2.8 SAM lenses, this round-profile hood shades from direct sunlight to prevent glare and lens flare.

See all accessories by Sony for the α camera system here: www.sony.co.uk/hub/dslr/accessories

The new HVL-F43AM external flash, VCT-55LH bracket, LCS-AMB soft carrying case and ALC-SH111 lens hood for α cameras by Sony are available from Spring 2011.