Full frame demands inclined planes

After just a short while working with full frame, high resolution DSLRs the need for tilt lenses has really come home to me. Most lenses deliver their best results at fairly wide apertures like f8, it’s easy for detail to begin to look soft and lacking impact if you are forced to stop down to f22 to get everything sharp. Tilt adaptors and tilt lenses solve the problem.

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Judging colour in the darkroom

David Kilpatrick explains why controlled conditions are important and shows an example of a ring-around chart – something to keep pinned on your darkroom wall, made from your own test negatives or slides. This article was first published in 1996, and the principles if not the identical corrections can be applied to making inkjet tests from digital images. It is still most relevant to darkroom colour printing, for those who want to keep this art alive.

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