Ricoh seal the future of interchangeable lenses

Tokyo, Japan, November 10, 2009—Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the GXR interchangeable unit camera system featuring the world’s smallest and lightest* digital camera with the ability to change lenses.

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The new GXR is an interchangeable unit camera system in which lenses are changed by using a slide-in mount system to attach camera units to the body. The lens, image sensor, and image processing engine are integrated into the camera units so the body itself does not contain an image sensor.

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With world-leading small size and low weight* enabling easy carrying, the GXR interchangeable unit camera system features a highly rigid magnesium alloy body and multiple camera units that can be changed to best fit the scene to be photographed. You can enjoy easy lens changes as well as amazing image quality and shooting flexibility. Concealing infinite possibilities in its small body, the GXR is a revolutionary camera system that pioneers a new realm of photography.

Distinctive characteristics:
1.    Lens, image sensor, and image processing engine comprise an integrated unit which can be changed to match the scene being photographed.
2.    World’s smallest and lightest* digital camera with interchangeable lenses
3.    System potential expanded through use of interchangeable units

Comment from David Kilpatrick:

Though the Ricoh system as revealed through this press release appears to show only a GR-size body with a zoom lens module suitable for a 2/3rds or slightly smaller imaging sensor, Ricoh has said that sensors right up to the size of APS-C will be built in to further lens modules. The ultra-wide angle version would have an APS-C sensor making similar to the Sigma DP-1. For similar reasons, high ISO and fast lens may be combined with a different size of sensor.

This is not the first time a digital camera has been designed with lens-sensor modules that could be changed. The Minolta Dimage EX 1500 accepted either a standard zoom module, or a wide-angle module. These included viewfinders (missing from the Ricoh concept, which relies entirely on the rear screen or electronic viewfinders) and had the unique ability to be removed from the camera on a 1.5m long Cable EX. This allowed users to position the wide-angle module inside scale models, doll’s houses and similar subjects to obtain realistic human-scale perspectives. It was only a 1.5 megapixel camera, and Minolta abandoned the concept before they had a chance to develop it further, whatever dPreview said ten years ago:

http://www.dpreview.com/reviews/minolta1500/

The technology behind the Ricoh is not all that different from the way consumer digital cameras are constructed anyway. Lenses are already sold sealed to CCD/CMOS sensors, as a single unit. That is how the OEM sources of the lens-sensor modules market them. At photokina, you can see (every two years) a new crop of such modules with both the technical resolution specs of the optical unit and the megapixel count of the sensor, identifiable to this non-Chinese/Japanese reader in the middle of a description which is usually inb Chinese. In 2006, I tracked such a module from its maker to the first camera I could find which used it – a compact branded as Vivitar. The customisation consisted of building any body the maker chose to design, and putting a ring on the lens front labelling it is a high resolution Vivitar lens; actually, it was just a generic lens-sensor assembly from China.

Ricoh has also pioneered unusual digital designs in the past, including rotatable or detachable lens modules and one of the first viewfinder-less designs, where the viewing screen was intended to be used at waist-level rather than today’s habit of waving the camera in front of your face.

This differs from anything previously done in the power of the CPU unit in each lens, and control module with screen display and card interface in the host body. It should allow any reasonable pixel count and sensor size to be built in to future optical modules. If the accessories do eventually include dedicated APS-C lens-sensor sealed modules, ‘dust on sensor’ will be one clear benefit (or the lack of it will). A supertelephoto module is also planned which will use a sensor smaller than APS-C.

Adobe Lightroom 3 Beta now available

London. — October 22, 2009 — Adobe Systems Incorporated (Nasdaq:ADBE) today introduced Adobe® Photoshop® Lightroom® 3 beta software for Macintosh and Windows®, a public preview of new and improved functionality to be delivered in the next major release. Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance, and showcase all their images from one application. Available as a free download on Adobe Labs, Lightroom 3 beta delivers a preview of new tools that will be in Lightroom 3, including more intuitive importing, unparalleled noise reduction and sharpening tools and enhanced slideshow capabilities.. Adobe encourages photographers to test this early selection of new features and provide the product team with their feedback.

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Spot the deliberate mistake!

Received today from Nikon:

TOTAL PRODUCTION OF NIKKOR LENSES REACHES FIFTY MILLION

Nikon Corporation is pleased to announce that its production of NIKKOR lenses (interchangeable lenses for Nikon SLR cameras) reached a total of fifty million units last month.

Nikon released the first NIKKOR lens, the NIKKOR-S Auto 5cm f/2 in 1959, along with Nikon’s first digital SLR camera, the Nikon F. In the fifty years since the launch, NIKKOR lenses have been extremely well received by a great number of photo enthusiasts and professional photographers.

Nikon’s current product line-up includes more than sixty NIKKOR lenses for Nikon SLR cameras, from fisheye lenses, super wide-angle to super telephoto lenses and micro lenses.

For more information about the range of lenses and cameras please visit www.nikon.co.uk

(no prizes of 50-year-old digital camera will be offered for correct answers!)

National Museum Bursary

Emerging photographers seeking support for their work have until the end of the month to apply for a bursary of up to £20,000 from the National Media Museum. Following the success of the scheme in 2007 and 2008, the National Media Museum in Bradford, in partnership with five sponsors, is inviting applications until 25 September 2009, as part of its ongoing commitment to new photography.
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Nikon seminar dates

Nikon has teamed up with six of the industry’s most influential technology suppliers to bring cutting-edge, digital workflow solutions to professional photographers across Europe.

Nikon, Adobe Systems, Apple, Hewlett Packard, Nik Software, Wacom and X-Rite have joined forces for a unique, nine-city Creative Alliance Tour. The tour has been set up to provide creative professionals with a comprehensive insight into a complete digital workflow. A full-day seminar will take place at each city stop, hosted by photo professionals and evangelists Keith Thompson, Kevin Dopson, Robin Preston, and Guy Gowan among others. These influential master photographers will demonstrate live shoots, and talk about why colour profile and calibration is key to getting the best end product.

From image capture to printing and marketing, delegates of the Creative Alliance Tour will learn how to achieve optimum results (high resolution in, high resolution out) using the most innovative techniques available to photographic professionals. The seminars will consist of inspirational presentations and in-depth technical workshops, with the opportunity to share questions and experiences with the experts.

“The long-established professional photographic community has seen dramatic changes to photographic technology in the past few years, with the transition from silver halide to digital, and from traditional SLR to digital SLR. Combining the resources and expertise of the seven companies, this tour will provide a unique platform for the photographic community to learn about the latest technological innovations and take advantage of a complete digital workflow within their existing production process,” said photographer and digital artist, Robin Preston.

Photographers should not miss this opportunity to gain valuable insight into the latest workflow tools that could help their business maintain its competitive edge.

Registration and dates

The Creative Alliance Tour has started in Ede on the 24th June 2009, in the Netherlands. The tour will resume the 15th September 2009 in Manchester and 17th September 2009 in London.

Spain, Germany, Italy and France will follow in October and November 2009. For the exact dates and registration information please visit: www.thecreativealliancetour.com


British Journal Awards entry open now

British Journal of Photography is calling for entries to its International Photography Award – a juried competition with a total prize fund worth more than £13,000. There are two categories, providing two opportunities to exhibit at a leading London gallery and have your work printed by one of Europe’s leading fine art printers. The winners will also win professional camera kit worth £5000 and a feature in BJP.

Single image prize: Last year Walter Astrada, an Argentinian World Press Photo award-winner picked up the single image prize for his stark shot of murder in Guatemala.

Copyright Beso Uznadze-web

Portfolio prize: Beso Uznadze (©photo above) won the portfolio prize for his stunning series of portraits of Georgians, shot after the conflict with Russia in 2008.

The International Photography Award is judged by a panel of internationally-recognised photographers, picture editors and curators. Photographers may submit multiple entries into either category and the contest is open to all.

Entry is £5 (or $8 or €6) for the single image category and £25 (or $40 or €30) for the portfolio category. The deadline is 11 September. For more information and to enter, visit bjp-online.com/ipa.

Fujifilm backtracks on 800Z withdrawal

Due to demand from its customers, Fujifilm Professional has decided to continue production of Fujicolor Pro 800Z.  It was announced recently that the company was to discontinue the film from September 2009. Fujifilm’s UK Product Manager for Professional Film, Russ Gunn, explained the turnaround: “We were amazed by the reaction from our customers following the announcement that Fujifilm was going to discontinue Pro 800Z. We have received many calls and emails from photographers who appreciate the natural skin tones and fine grain that Pro 800Z gives them. Many people were genuinely upset about the withdrawal so we have bowed to this pressure and decided to continue production for the time being.”

Canon develops new IS system

London, United Kingdom / Republic of Ireland, 22nd July 2009 — Canon Inc. announced today the development of Hybrid Image Stabilizer (IS), the world’s first* optical Image Stabilizer which compensates for both angular camera shake and shift camera shake. The technology will be incorporated in an interchangeable single lens reflex (SLR) camera lens planned for commercial release before the end of 2009.

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Kodachrome reaches frame 39 – the end

LONDON UK, June 22, 2009 – Eastman Kodak Company announced today that it will retire KODACHROME colour film this year, concluding its 74-year run as a photography icon.

Sales of KODACHROME Film, which became the world’s first commercially successful colour film in 1935, have declined dramatically in recent years as photographers turned to other, newer KODAK films or to the digital imaging technologies that Kodak pioneered. Today, KODACHROME Film represents just a fraction of one percent of Kodak’s total sales of still-picture films.

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