DxO plug-in offers Alpha-NEX HDR/multishot simulation

DxO Labs today announced that a DxO HDR plug-in for DxO Optics Pro 6.5 will be released in November. The new DxO HDR plug-in will enable photographers to merge several RAW shots effortlessly to either capture a greater dynamic range in the scene or to reduce noise beyond the camera’s sensor capability.
DxO was already known to be working with Sony, and offers in-camera firmware programs. This Plug-In closely mimics the multishot HDR, Twilight or High ISO noise reducing modes of the NEX-3, NEX-5, Alpha 33 and Alpha 55. It may be related and perhaps we will see it one day as part of Sony’s raw conversion software suite.
High quality HDR to capture a greater dynamic range from multiple RAW shots
Even with high-end digital cameras, the sensor dynamic range limits make the capture of extremely contrasted scenes difficult for photographers who wish to keep both highlight details and opened shadows in their pictures. With the new DxO HDR plug-in for DxO Optics Pro, photographers can overcome this limitation by merging bracketed RAW images into a single image file capable of handling a wider dynamic range than a regular RAW image. Specially designed multi-shot HDR Presets will let photographers render this new image effortlessly with a broad range of intents from the most natural looking image to extreme creative styles.
DxO Optics Pro’s best of breed RAW conversion and optics correction, ensures optimal image quality. “The DxO HDR plug-in also provides automatic image alignment, needed to compensate for camera motion when shooting hand-held, and ghost removal, needed to account for moving objects within the scene.” said Cyrille de La Chesnais, Director Sales & Marketing for DxO Labs’ Photography business. “Photographers can even decide which instance of the moving object they want to keep in the final image.”
Noise reduction beyond sensor capability, from multiple RAW shots: in situations such as handheld telephoto or low light where low shutter speed is not an option, taking a burst of RAW images at the same exposure and merging them together with the DxO HDR plug-in proves to be an extremely powerful way to reduce noise beyond the sensor’s intrinsic capability.
“DxO Optics Pro’s best of breed noise removal applied on a merged photo, whose noise has already been significantly reduced by the virtue of merging photos, produces an image of outstanding quality,” said La Chesnais.
Availability and pricing
DxO HDR plug-in for DxO Optics Pro 6.5 for Windows and Mac is scheduled for release late November 2010 from DxO Labs’ e-store. Final pricing is not available.
System Requirements
2 GB RAM minimum
400 MB available disk space
To process RAW images larger than 20 MPixels, a 64-bit operating system with 4 GB RAM is strongly recommended
Windows :
Intel Pentium 4 processor or AMD equivalent (Pentium Dual Core or higher or equivalent recommended)
Microsoft Windows XP 32 or 64 bits, Windows Vista 32 or 64 bits, Windows 7 32 or 64 bits
Macintosh:
Intel-Mac
Mac OS X.5 or X.6

ACR 6.2 2010 Process – huge improvement

Before the launch of the NEX models, the last camera we reviewed here was the Alpha 550. The final review pages dealt with the high ISO performance.
Following the release of Adobe Camera Raw 6.1 and 6.2, the new ’2010 Process’ has replaced the ’2003 Process’ in conversions (you can select either option). The 2010 Process used with manual adjustment of the Noise Reduction controls can produce really exceptional ISO 6400 results.
This changes any previous conclusions about the usefulness of Alpha 550 high ISO settings, and indeed brings them into line with the results we have seen from NEX – which of course defaults to the 2010 process, and can not be processed using earlier Adobe Camera Raw versions.
Here is the old process, top, seen at a reduced scale of a 100% view at ISO 6400:

Click the Process 2003 image above to open the original 100% size screen shot.
Below is the new 2010 process, which is more than just a minor tweak – it’s an entirely different way of getting the data out of the raw file.

Click this image to see the Adobe Process 2010 result full size. All the settings were identical for these two conversions. The improvement is on such a level that ANY test reports on the Alpha 550 produced in 2009 using CS4 and Adobe Camera Raw 5.x are invalid.
The NR can be moderated to produce more detail on the 2010 process midtones at the expense of more visible grain (but it’s nothing like the 2003 pattern – it remains mainly a fine luminance pattern). I have used a setting which produced a clear comparison. Entirely different NR settings are actually better, with the two processes, but no matter how you adjust the ‘2003’ version it never looks anything like as fine as the 2010 one.
Should dPreview and others update their RAW sample images because the old process was so badly matched to the .ARW format? Nothing like the same difference is made for example to Nikon raw files, 2010 is better, but 2003 didn’t mess up the higher ISOs in the way it always did for Minolta/Sony raws.
Please note that if you don’t want to get CS5, you can still get the benefit of this new conversion with Adobe Photoshop Elements 8.
– David Kilpatrick

Support for A230, A330, A380 in latest Adobe release

Adobe has added the latest Alpha model support to Lightroom and ACR before the cameras have become fully available worldwide – as they did with the original Alpha 100. Lightroom 2.4 and Adobe Camera Raw 5.4 final releases include raw conversion for the Alpha 230, 300 and 380.
To download the latest utilities (including DNG Converter, which converts the raw files to a form which earlier versions of Photoshop CS can process) visit:
http://www.adobe.com/downloads/
The updates are free but you must have recent versions of authorised software installed to benefit from them. The ACR Plug-In will also update Adobe Elements 7 (PC) or 6 (Macintosh) to work with the full range of Sony Alpha DSLRs.
We have run comparison ACR conversions on Alpha 900 files using 5.4 and the earlier Release Candidate (beta) version – there is no difference, output is bit for bit identical.

Free Photo Tools Lite download

OnOne Software has made available an entire free download including Lite versions of 14 of their PhotoTools plug-ins for Photoshop and other image editing programs. All you have to do to obtain the download is visit their website using the link below and provide a valid email address for verification. We have tested the entire OnOne software range – including the full PhotoTools 2 package – with excellent performance on CS4/MacOSX 10.5+.

Continue reading »

Free PhotoTools software for Photoclubalpha readers

OnOne Software has made available an entire free download including Lite versions of 14 of their PhotoTools plug-ins for Photoshop. All you have to do to obtain the download is visit their website using the link below and provide a valid email address for verification. We have tested the entire OnOne software range – including the full PhotoTools 2 package – with excellent performance on CS4/MacOSX 10.5+.
Continue reading »

Epson Photoshop plug-in speed batch and multi printing

Epson has today launched an innovative new print plug-in for the Adobe Photoshop family of products that provides users with enhanced functionality and flexibility, making colour-managed printing quicker and easier. Engineered specifically for the popular Adobe Photoshop CS and Elements products, Epson designed the software to meet the needs of the users of its Stylus Pro 3800 and its A3+ printers, including the new Epson Stylus Photo R2880.

Mark Robinson, Senior Product Manager at Epson UK commented: “The new Epson plug-in provides an invaluable tool for the keen photographer, allowing them to increase their efficiency when printing a wide variety of projects.

“As an independent resource, the Epson Print Plug-In allows users to switch easily between its interface and Photoshop. This allows them to add images to the multi-image print easily and keep temporary images for reprint even if the plug-in window is closed. For many users, this functionality is highly valuable and could significantly enhance productivity.”

The Epson interface splits the printing workflow into three steps; image selection, layout selection/definition and printer settings and previewing, making the printing process simple and efficient. The window of each step is modular and can be minimised to optimise space on-screen.

The layout function automates the layout process, allowing users to select from three layout types; template, index and free layout, which can be arranged over multiple pages. Over 170 templates, ranging from credit card sizes to A2 are available as standard and users can even create custom templates and save them for regular use. Once the layout is selected, images are simply dragged and dropped into the template and can even be cropped as needed.

Colour management can be automated for both direct colour management using the printer driver, and ICC profile-based colour management. Users can also specify their own ICC profiles for specific print media. The preview function provides a fast and easy way to proof the final print layout before printing begins.

Mark Robinson continued: “The flexible workflow offered by the Epson Print Plug-In ensures maximum usability, making batch printing for projects such as exhibitions, calendars or portfolios quick and easy. As the plug-in is independent of Photoshop, images can be loaded in succession and the interface can be used to check and compare the various stages of editing.”

The new Epson Print Plug-In is available as a free web download from the Epson Europe website at www.epson-europe.com and supports Mac OS 10.4.3 – 10.4.10 (Tiger), Mac OS 10.5 (Leopard) and Windows XP SP2 and Vista.

Epson Print Plug-In key features summary:

  • Easy multiple image printing
  • Flexible multi-page layouts with three layout types
  • Resource independent for improved flexibility and usability
  • Simplified colour-managed printing, supporting both direct colour management and ICC profile management
  • ACE[1], Epson CMM, Windows ICM and Apple ColorSync colour management engines supported
  • Supports the Adobe Photoshop family of products: Adobe Photoshop CS2 (from 9.02), CS3, Adobe Elements 4 (from 4.01), 5 (from 5.02) and 6
  • Supports Epson Stylus Photo 1400, R1800, R1900, R2400, R2880 and Stylus Pro 3800
  • Supports Windows XP SP2, Vista; Mac OS 10.4.3 – 10.4.10 (Tiger) and 10.5 (Leopard)
  • Available in 7 languages: English, German, French, Italian, Spanish, Dutch and Japanese
  • Available from 25 May 2008 as a free web download on www.epson-europe.com

Adobe Camera Raw 4.4 released

Adobe has released updates to Photoshop Lightroom and the Photoshop Camera Raw plug-in, both available immediately as free upgrades for existing users. The releases provide added raw file support for nine additional digital cameras, including the Canon EOS 450D and Nikon D60. Lightroom 1.4 also provides updated printer driver compatibility for Apple Leopard Mac OS X 10.5.

The camera raw functionality in the Adobe Photoshop software, including Photoshop Lightroom, Photoshop CS3 and Photoshop Elements, provides fast and easy access to the latest raw image formats produced by many leading professional and midrange digital cameras. Working with these digital negatives allows greater artistic control and flexibility while still maintaining the original raw files. Photoshop Lightroom and the Camera Raw plug-in also support the same functionality for TIFF and JPEG files.

The Lightroom 1.4 update and Camera Raw 4.4 plug-in add support for nine additional digital cameras including the Canon EOS 450D (Digital Rebel XSi /EOS Kiss X2), Fujifilm S100FS, Nikon D60, Olympus SP-570 UZ, Pentax K20D, Pentax K200D, Sony A200, Sony A300 and Sony A350.

Pricing and Availability

The Adobe Photoshop Lightroom 1.4 update is available as a free download for existing Macintosh and Windows customers on http://www.adobe.com/downloads.  Recommended system requirements are Macintosh OSX 10.4, 1 GHz PowerPC G4 or G5 or multicore Intel processor, or Microsoft Windows XP SP2 or Windows Vista Home Premium, Business, Ultimate, or Enterprise, Intel Pentium 4 processor, 768 MB RAM and a 1024×768 resolution screen.

The Adobe Camera Raw 4.4 plug-in is available with the purchase of Photoshop CS3 and as a free download for users of Photoshop CS3 Photoshop Elements 6 and Premiere Elements 4 by going to the Adobe Web site at www.adobe.com/products/photoshop/cameraraw.html

Adobe Camera Raw 4.4 supports A200, 300, 350

Adobe has released updates to Photoshop Lightroom and the Photoshop Camera Raw plug-in, both available immediately as free upgrades for existing users. The releases provide added raw file support for nine additional digital cameras, including the Sony Alpha 200 (already supported by 4.3.2 whether they knew it or not), Alpha 300 and Alpha 350. Lightroom 1.4 also provides updated printer driver compatibility for Apple Leopard Mac OS X 10.5. Continue reading »